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DuisburgSignatures – Hans van Manen/David Dawson/Bridget Breiner
Schumann, Haines, Rachmaninow
Hans van Manen; David Dawson; Bridget Breiner; Ballett am Rhein; Oliver Haller; Bert Dalhuysen; John Otto
AmsterdamMetamorphosis – Dutch National Ballet
Britten, Glass, Wilson
Jiří Kylián; David Dawson; Mthuthuzeli November; Dutch National Ballet; Thomas Jung; John Macfarlane; Hans-Joachim Haas
LyonAvant l'aube
Lanz, Verschiedene
David Dawson; Katerina Andreou; Ballet de l'Opéra de Lyon; Yumiko Takeshima; Bert Dalhuysen; Yannick Fouassier
MailandDawson / Morau double billNeuinszenierung
Richter, Rudman
David Dawson; Marcos Morau; Teatro alla Scala Ballet Company; Eno Henze; Yumiko Takeshima; Bert Dalhuysen; Max Glaenzel
Neue Kritikenmehr...
Dutch National Ballet’s Masters of Movement: mixed results
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Dutch National Ballet presents a triple bill of interesting contemporary works that show off the depth of talent within all ranks of the company.
NBJ's Ballet Coffret is a feast of modern classics
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National Ballet of Japan's Ballet Coffret showcased the versatility of the company with modern classical works including Dawson's A Million Kisses to my Skin, van Manen's 5 Tangos and Balanchine's Theme and Variations.
ENB: R:Evolution showcases tenacity, legacy and talent
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English National Ballet opens its season at Sadler’s Wells with a quadruple bill showcasing the versatility, virtuosity and endless capabilities of the company throughout the ranks.
Ballet Nights makes an impressive and unforgettable Scottish debut
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Ballet Nights is more than an evening of party pieces: it showcases emerging talent alongside older favourites and, in the case of this first Scottish outing, has an eye to local tradition.
Ballett am Rhein are unrecognisable in season opener
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It’s all change at the Ballett am Rhein with new Chief Choreographer, Bridget Breiner, and Ballet Director, Raphaël Coumes-Marquet taking over from Demis Volpi for the 24/25 season.
Scottish Ballet: David Dawson's Swan Lake is supremely moving
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Dawson’s stripped-down production throws the impetus immediately on his choreography, whilst keeping the bones of the story clearly in sight.