Ballet Nights makes an impressive and unforgettable Scottish debut

Sophie Martin and Joan Ivars Ribes in David Dawson's On the Nature of Daylight

Steven McRae in his own Czardas

Caspar Lench in Joshua Junker's 324a

BlacBrik (Nahum McLean and Darius Drooh) in their Death of the Bachelors

Constance Devernay-Laurence in Christopher Wheeldon's I Married Myself

Tyrone Singleton and Constance Devernay-Laurence in MacMillan's Elite Syncopations

Von Kathy Elgin, 08 Juli 2025

Laden, bitte warten...

Veranstaltung anzeigen

“Darrell’s exquisite choreography had Mutso questing, yearning and plaintive, arms outstretched”

Rezensierte Veranstaltung: Theatre Royal, Glasgow, am 4 Juli 2025

I Married Myself (Christopher Wheeldon)

Divided (Diana Loosemore)

Five Rückert Songs (excerpt) (Peter Darrell)

Death of The Bachelors (Nahum McLean, Darius Drooh)

On the Nature of Daylight (David Dawson)

Czardas (Steven McRae)

324a (Joshua Junker)

Splice (Ekleido)

Infant Spirit (Marco Goecke)

Elite Syncopations (excerpt) (Sir Kenneth MacMillan)

Ballet Nights

Jamiel Devernay-Laurence, Regie

Constance Devernay-Laurence, Tanz

Eve Mutso, Tanz

BlacBrik

Sophie Martin, Tanz

Joan Ivars Ribes, Tanz

Steven McRae, Tanz

Caspar Lench, Tanz

Hannah Ekholm, Tanz

Faye Stoeser, Tanz

Andrew Cummings, Tanz

Kevin Poeung, Tanz

Tyrone Singleton, Tanz

Viktor Erik Emanuel, Klavier

Atlanta Ballet shines in a mixed contemporary program

Rebecca Ehrhardt, 3rd April

Atlanta Ballet's Golden Hour program featured two world premieres and the Atlanta premiere of Christopher Wheeldon's Within the Golden Hour.

*****

NYCB: Ratmansky’s The Naked King is not satire, but good fun

Ivy Lin, 7th February

New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

****1

Les « Racines » inégales du Ballet de l’Opéra de Paris à Bastille

Laurine Mortha, 6th October

Entre une pièce des années 1950 de Balanchine et les deux créations récentes des chorégraphes Mthuthuzeli November et Christopher Wheeldon, le programme mixte néo-classique produit un effet mitigé.

***11

The Royal Ballet’s Like Water for Chocolate is sumptuous but complex

Amanda Jennings, 1st October

The Royal Ballet’s season opener, Christopher Wheeldon’s Like Water for Chocolate, is visually tremendous, very well danced but the many principal and soloist characters are difficult to keep up with.

****1

ABT in Wheeldon’s The Winter’s Tale: CliffsNotes Shakespeare

Ivy Lin, 2nd July

Christopher Wheeldon’s The Winter’s Tale is a sumptuous looking production but on this occasion, it didn’t come to life emotionally.

***11

Wheeldon’s Alice: The Royal Ballet shines in a vehicle of excellence

Amanda Jennings, 13th June

Christopher Wheeldon's Alice's Adventures in Wonderland shows off The Royal Ballet's roster of supreme dance actors in every version of technical wizardry and comic incarnation.

****1

Weitere Kritiken...

Kathy Elgin

After a career in publishing, Kathy Elgin turned her enthusiasm for dance into a real job by joining the late, great John Percival, Dance Critic of The Times, in his re-launch of Dance and Dancers magazine in 1981. She was later delighted to join its rival, The Dancing Times, as Scottish correspondent until the magazine’s sad demise in 2022. She lives in Edinburgh.