Neue Kritikenmehr...
Superb musical performances in Pinchgut’s Scarlatti rarity in Sydney
As usual, Pinchgut lavishes musical excellence on an obscure Baroque work... but why stage an oratorio?
Is Opera Australia’s Candide really the best of all possible worlds?
Dean Bryant's production of Leonard Bernstein’s operetta leans more towards musical theatre, blending French period costumes with weak attempts at Aussie humour.
Baroque opera resurrected at Pinchgut: Legrenzi's Giustino
Unseen since the 18th Century apart from one night in Germany, Legrenzi's Giustino deserves to re-enter the repertoire after its revival by Pinchgut Opera's Erin Helyard.