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Is Opera Australia’s Candide really the best of all possible worlds?
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Dean Bryant's production of Leonard Bernstein’s operetta leans more towards musical theatre, blending French period costumes with weak attempts at Aussie humour.
Baroque opera resurrected at Pinchgut: Legrenzi's Giustino
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Unseen since the 18th Century apart from one night in Germany, Legrenzi's Giustino deserves to re-enter the repertoire after its revival by Pinchgut Opera's Erin Helyard.