Neue Kritikenmehr...
Rossini ex machina: La Cenerentola in Oslo
Bei seinem ersten Ausflug in die Welt Rossinis, verwandelte der norwegische Regisseur Stefan Herheim La Cenerentola in ein brillantes, lustiges Spektakel, gefüllt mit nachdenklich stimmendem Humor und herausragendem Gesang.
Question mark: Turandot in Oslo
Andreas Homoki's 2004 Turandot makes its way to Oslo, but fails to impress with less-than-halfbaked concepts and underwhelming singing.
Not perfect, only human: Elysium in Oslo
Rolf Wallin and Mark Ravenhill’s new opera Elysium tackles fundamental questions about humanity itself, and largely succeeds. Despite slightly uneven music and libretto, the performers shine in this sci-fi opera.
Don Pasquale at the Norwegian National Opera
What do you get when you mix an old man with a penchant for younger women, a young woman, her equally young lover and a scheming doctor, and set it all sometime around the 1960s, although you wouldn’t really know it had it not been for the petticoats? A rather successful night at the opera, it would seem.
