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Performer: Emma Stannard

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An uneven Elisabetta from English Touring Opera

Mary Plazas (Elisabetta) © Richard Hubert Smith
Rossini's Elisabetta, regina d'Inghilterra is a hard work to love and English Touring Opera's new production which launched at the Hackney Empire Theatre struggled to make a case for regular outings.
***11
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A spellbinding Ritorno d'Ulisse at the Grange

Robin Blaze (Human Frailty) in the prologue © Robert Workman
Il ritorno d’Ulisse in patria tells one of the world’s great stories. This production is a treat for early opera fans and a great introduction for those new to the genre.
*****
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Flinty graves: a chilling Poppea

Eve Daniell (Nerone) and Lorena Paz Nieto (Drusilla) © Robert Workman
In Shoreditch, the Royal Academy of Music showed off some superb singing in a chilling exploration of tyranny and unrestrained power.
****1
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A dusty curio: Handel's Berenice, regina d'Egitto

La Nuova Musica and David Bates © Benjamin Ealovega
A strong cast and fine playing from La Nuova Musica gives Handel's Berenice a reasonably fair outing, but its original plot weaknesses constrain this opera from being anything more than a curio for the Handel connoisseur. 
***11
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A rite of spring: Rimsky-Korsakov's May Night

Emma Stannard (Ganna) and Mikhail Shepelenko (Levko) © Robert Workman
A welcome revival of a Russian rarity from the student forces of the Royal Academy of Music.
****1
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