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Performer: Friedrich Hamel

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BerlinDon Carlo

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Verdi: Don Carlo(s)
Leonardo Sini; Philipp Himmelmann; Staatsoper Berlin; Johannes Leiacker; Klaus Bruns; Davy Cunningham; Staatskapelle Berlin

BerlinLa bohème

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Puccini: La bohème
Ivan Repušić; Lindy Hume; Staatsoper Berlin; Giuseppe Mentuccia; Dan Potra; Carl Friedrich Oberle; Franz Peter David

BerlinTosca

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Puccini: Tosca
Eun Sun Kim; Alvis Hermanis; Staatsoper Berlin; Kristīne Jurjāne; Gleb Filshtinsky; Staatskapelle Berlin

BerlinSalome

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Strauss R.: Salome
Axel Kober; Hans Neuenfels; Staatsoper Berlin; Reinhard von der Thannen; Stefan Bolliger; Staatskapelle Berlin

BerlinLes Contes d'Hoffmann

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Offenbach: Les Contes d'Hoffmann (Hoffmanns Erzählungen)
Keri-Lynn Wilson; Lydia Steier; Staatsoper Berlin; Momme Hinrichs; Ursula Kudrna; Olaf Freese; Staatskapelle Berlin

BerlinTannhäuser

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Wagner: Tannhäuser
Christian Thielemann; Sasha Waltz; Staatsoper Berlin; Pia Maier-Schriever; Bernd Skodzig; David Finn; Staatskapelle Berlin
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Eyes wide shut for Berlin’s new Ballo

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At the Staatsoper Unter den Linden, Rafael R Villalobos addresses the problems he perceives with Verdi’s Un ballo in maschera, although the musical performances – led by Anna Netrebko – compensate.
***11
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Young stars shine in the Staatsoper Berlin’s Rosenkavalier

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Patricia Nolz makes an outstanding role debut as Christian Thielemann conducts a thrusting Rosenkavalier to open the Staatsoper Unter den Linden's Festtage. 
*****
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Happy 100th birthday, Wozzeck! Thielemann leads Berlin revival

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The Staatsoper Unter den Linden celebrates the 100th birthday of Alban Berg's masterpiece with a stellar cast in Andrea Breth’s revived production. 
***11
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Low on laughs: Die schweigsame Frau in Berlin

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Newly General Music Director Christian Thielemann and Jan Philipp Gloger bring Richard Strauss' Die schweigsame Frau to the Staatsoper Berlin for the first time, but la commedia is hardly stupenda
**111
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Straussian pastoral: Daphne at the Staatsoper Unter den Linden

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Romeo Castellucci's new production of Daphne for the Staatsoper reflects on our relationship with nature, subverting the perspective of Richard Strauss' opera.
***11
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