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BerlinDon Carlo
Verdi: Don Carlo(s)
Leonardo Sini; Philipp Himmelmann; Staatsoper Berlin; Johannes Leiacker; Klaus Bruns; Davy Cunningham; Staatskapelle Berlin
BerlinLa bohème
Puccini: La bohème
Ivan Repušić; Lindy Hume; Staatsoper Berlin; Giuseppe Mentuccia; Dan Potra; Carl Friedrich Oberle; Franz Peter David
BerlinTosca
Puccini: Tosca
Eun Sun Kim; Alvis Hermanis; Staatsoper Berlin; Kristīne Jurjāne; Gleb Filshtinsky; Staatskapelle Berlin
BerlinSalome
Strauss R.: Salome
Axel Kober; Hans Neuenfels; Staatsoper Berlin; Reinhard von der Thannen; Stefan Bolliger; Staatskapelle Berlin
BerlinLes Contes d'Hoffmann
Offenbach: Les Contes d'Hoffmann (The Tales of Hoffmann)
Keri-Lynn Wilson; Lydia Steier; Staatsoper Berlin; Momme Hinrichs; Ursula Kudrna; Olaf Freese; Staatskapelle Berlin
BerlinTannhäuser
Wagner: Tannhäuser
Christian Thielemann; Sasha Waltz; Staatsoper Berlin; Pia Maier-Schriever; Bernd Skodzig; David Finn; Staatskapelle Berlin
Latest reviewsSee more...
Eyes wide shut for Berlin’s new Ballo
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At the Staatsoper Unter den Linden, Rafael R Villalobos addresses the problems he perceives with Verdi’s Un ballo in maschera, although the musical performances – led by Anna Netrebko – compensate.
Young stars shine in the Staatsoper Berlin’s Rosenkavalier
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Patricia Nolz makes an outstanding role debut as Christian Thielemann conducts a thrusting Rosenkavalier to open the Staatsoper Unter den Linden's Festtage.
Happy 100th birthday, Wozzeck! Thielemann leads Berlin revival
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The Staatsoper Unter den Linden celebrates the 100th birthday of Alban Berg's masterpiece with a stellar cast in Andrea Breth’s revived production.
Low on laughs: Die schweigsame Frau in Berlin
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Newly General Music Director Christian Thielemann and Jan Philipp Gloger bring Richard Strauss' Die schweigsame Frau to the Staatsoper Berlin for the first time, but la commedia is hardly stupenda.
Straussian pastoral: Daphne at the Staatsoper Unter den Linden
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Romeo Castellucci's new production of Daphne for the Staatsoper reflects on our relationship with nature, subverting the perspective of Richard Strauss' opera.