Neue Kritikenmehr...
Good vibrations: Robbins, Balanchine and Bach at New York City Ballet
Concerto Barocco and The Goldberg Variations make an unbeatable, timeless pairing at New York City Ballet.
Martha Graham Dance Company celebrates 100 years in New York
In a tremendous triple bill at New York City Center, Martha Graham’s genius and Janet Elber’s stewardship of the company into the 21st century deserve to be celebrated, loudly.
Graham 100 : le génie impérissable de Martha Graham au Châtelet
Avec quelques semaines d'avance, la Martha Graham Dance Company fête son centenaire en faisant dialoguer la danse d’avant-garde de sa fondatrice et le génie créatif effervescent de notre époque.
ENB: R:Evolution showcases tenacity, legacy and talent
English National Ballet opens its season at Sadler’s Wells with a quadruple bill showcasing the versatility, virtuosity and endless capabilities of the company throughout the ranks.
All Balanchine I tackles the Brahms-Schoenberg Quartet "problem"
Brahms-Schoenberg Quartet comes across as a work with fragments of greatness rather than a masterpiece but the rest of the evening offers sheer brilliance.
NYCB: Orpheus – once hot, now on life support
Someone at New York City Ballet needs to believe in Orpheus before they present it again.