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Performer: István Rózsa

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BudapestHolmes – Solymosi / Adam: Le Corsaire

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Adam: Le Corsaire
Tamás Solymosi; Anna Marie Holmes; Hungarian National Ballet; Hungarian National Ballet Institute; Paul Connelly; Paul Marsovszky; István Rózsa; Nóra Rományi

BudapestPetipa – Mirzoyan / Minkus: La bayadère

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Minkus: La Bayadère
Marius Petipa; Albert Mirzoyan; Hungarian National Ballet; Hungarian National Ballet Institute; David Coleman; Péter Dobszay; István Rózsa; Nóra Rományi
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A thrilling, opulent La Bayadère at Hungarian National Ballet

Hungarian National Ballet in the Kingdom of Shades from Albert Mirzoyan's La Bayadère © Valter Berecz / Hungarian State Opera
Hungarian National Ballet's La Bayadère revitalizes tradition with a new reconstruction of its forgotten final act. 
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Tradition reconsidered in Bartók Dancetriptych in Budapest

Lea Földi, the Girl and Iurii Kekalo, the Mandarin in Marianna Venekei's The Miraculous Mandarin © Valter Berecz
Three iconic Bartók dance scores are newly-interpreted at the Hungarian National Ballet. 
****1
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Virtuoso dancing in Hungarian National Ballet's Laurencia

A ballet to be enjoyed for its visual spectacle, strong and purposeful choreography and a pacy momentum that builds into a rousing finale.
***11
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The Hungarian National Ballet brings its Don Quixote to New York

In addition to providing a showcase for the principals, the ballet provides ample opportunity for the company's soloists to shine.
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17th-century L'Orontea in Budapest goes millennial

Opera director András Almási-Toth’s whimsical updating of an early Baroque opera by Antonio Cesti switches the composer’s L'Orontea from 1656 to 2016.
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Dohnányi’s Der Tenor a star vehicle for Attila Fekete

Hungarian composer Dohnányi's fourth and last opera is a comic delight, especially in the hands of the team at the Budapest Opera. 
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