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EdinburghVerdi Requiem

Verdi: Messa da Requiem
Royal Scottish National Orchestra; Patrick Hahn; Jennifer Davis; Deniz Uzun; Mario Lerchenberger; Edwin Crossley-Mercer
GlasgowVerdi Requiem

Verdi: Messa da Requiem
Royal Scottish National Orchestra; Patrick Hahn; Jennifer Davis; Deniz Uzun; Mario Lerchenberger; Edwin Crossley-Mercer
EdinburghThis Shining Night

Oldham, Barber, Copland, Shaw, Muhly, Frank, Ames, Thompson, Esmail, Paulus, Dawson, Erb, Lauridsen
Sofi Jeannin; Edinburgh Festival Chorus; James Grossmith
EdinburghColeridge-Taylor’s The Song of Hiawatha

Coleridge-Taylor: The Song of Hiawatha, Op.30
Orchestre symphonique de Montréal; Rafael Payare; Francesca Chiejina; Nicky Spence; Christopher Maltman; Edinburgh Festival Chorus
EdinburghMahler’s Das klagende Lied

Schubert, Mahler
BBC Scottish Symphony Orchestra; Sir Donald Runnicles; Kathleen O'Mara; Catriona Morison; John Findon; Nicholas Brownlee
Neue Kritikenmehr...
Edinburgh International Festival opens with monumental Marsalis work

James Gaffigan conducts the RSNO and Jazz at Lincoln Center Orchestra in a swinging EIF opener: Wynton Marsalis' All Rise
Astonishing Mahler 2 from Runnicles and the BBC Scottish

Sir Donald Runnicles and the BBC Scottish reunite for an astonishing Mahler 2 with Karen Cargill, Jennifer Davis and the Edinburgh Festival Chorus.
A dramatic, declamatory Elijah closes the 2025 Edinburgh Festival

The festival’s closing concert brings drama from the RSNO and conductor Thomas Søndergård, but Christopher Maltman's Elijah brings the presence of greatness.
Canellakis brings sparkle and shine to Stravinsky and Bernstein

Karina Canellakis brings a riot of Technicolor to the Edinburgh International Festival, but countertenor Hugh Cutting threatens to steal the show in Chichester Psalms.
Triumphant Tavener opens the Edinburgh International Festival

John Tavener's epic, eight-hour all-night vigil opens the festival in monumental style, directed by Thomas Guthrie.
Sir Mark Elder bows out with Mahler 5 in Edinburgh

Lili Boulanger evokes the abyss and Mahler struggles out of it, as Sir Mark Elder bids his final farewell to the Hallé.
