Neue Kritikenmehr...
Un Gatsby tout sauf great aux Folies Bergère
Malgré une distribution exceptionnelle et des ensembles réussis, le spectacle déçoit par sa construction narrative peu claire, ses vidéos de mauvais goût et sa musique envahissante.
Scottish Ballet's Cinders! confirms Hampson is a savvy theatre-maker
Christopher Hampson's reinvented version of his own original Cinderella, Cinders!, is a triumph of theatre, whether the central character is danced by a man or a woman.
Twice-Born: Scottish Ballet opens the season in bold, balanced style
Clearly on a mission to prove that today’s dance world comprises many styles that feed into and refresh each other, Scottish Ballet starts as it means to go on.
A Streetcar Named Desire: sheer dynamite and startlingly erotic
It’s back with the same team, slightly tweaked here and there and with a new generation of dancers taking on those iconic roles. What took them so long?
Scottish Ballet's Coppélia: live filming adds an extra dimension
The integration of an onstage camera shooting live action film is not new, but Jess and Morgs are perfecting the art of adding this extra dimension to live performance.
Balletic alchemy in Scottish Ballet's The Crucible
Helen Pickett's slick and revealing adaptation of Arthur Miller's play receives its London premiere at Sadler's Wells.