Performer: John Graham-Hall

Andrea Breth geht mit ihrer Inszenierung bis an die Grenzen und schafft einen Abend extremer Emotionen.

A fine singing cast gives creditable performances in Johann Stauss II's most famous operetta, but Paul Curran's updating of Act 2 to 1930s Berlin takes the fizz out of the Champagne.

Singing performances are excellent, the staging is well crafted and Stravinsky's eclectic score entertains from start to finish. But it's an evening's opera that doesn't touch the soul.