Performer: Jon Stainsby

Handel's Christmas classic gets a fresh lick of paint from John Butt and colleagues. 

An especially adapted version of Purcell's Fairy Queen, reworked by Timothy Nelson, inspires an exceptional reading from a talented young cast at Iford. 

Excellent ensemble work makes for a compelling rendering of Britten's satirical chamber opera Albert Herring, with some impressive young tenor and baritone voices. 

Tim Benjamin's new opera is full of good ideas: too full, of too many of them, with a lacklustre and tired plot that doesn't deliver what it promises, despite a gifted and committed cast who resolutely try their best.

Audiences have come to look forward to the annual co-production between Scottish Opera and the Royal Conservatoire of Scotland, where student opera singers, orchestra players and backstage crew get a chance to partner up with their professionals across the other side of Glasgow’s Hope Street.