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LenoxThe Marriage of Figaro
Mozart: Le nozze di Figaro (Die Hochzeit des Figaro)
Andris Nelsons; James Darrah Black; Boston Symphony Orchestra; Joshua Hopkins; Hanna-Elisabeth Müller; Michael Sumuel
ManchesterBBC Philharmonic - Brahms Requiem
Boulanger, Brahms
BBC Philharmonic Orchestra; Anja Bihlmaier; Julia Grüter; Joshua Hopkins; Audi Young Persons' Choral Academy
MünchenWertherNeuinszenierung
Massenet: Werther
Karina Canellakis; Marie-Ève Signeyrole; Bayerische Staatsoper; Fabien Teigné; Yashi; Sascha Zauner; Bayerisches Staatsorchester
TorontoMessiah
Händel: Messias
Toronto Symphony Orchestra; Ivor Bolton; Louise Alder; Deepa Johnny; Paul Appleby; Joshua Hopkins
TorontoL'elisir d'amore
Donizetti: L'elisir d'amore
Lorenzo Passerini; James Robinson; Canadian Opera Company; Allen Moyer; Martin Pakledinaz; Paul Palazzo; Canadian Opera Company Orchestra
Neue Kritikenmehr...
Glänzendes Met-Debüt von Joana Mallwitz
Eine aufstrebende deutsche Dirigentin entlockt dem Orchester in der fünften Wiederaufnahme der witzigen Inszenierung von Richard Eyre aus dem Jahr 2014 an der Met ein hervorragendes Spiel.
Songs of love and loss from the Philadelphia Orchestra
Yannick Nézet-Séguin pairs Mahler's weighty Ninth Symphony with Jake Heggie's Songs for Murdered Sisters, which considers the scourge of domestic violence against women.
Mendelssohn Choir shines in Pittsburgh Symphony’s choral program
Manfred Honeck and the Pittsburgh Symphony perform five diverse works, culminating in an affecting reading of Fauré’s pensive Requiem.
Malin Byström stars in a radiant Capriccio to close the EIF
Capriccio proves a fitting end to the Philharmonia’s EIF residency, with Alexander Soddy conducting a fine cast headed by Swedish soprano Malin Byström.
Madcap comedy from Verdi: Un giorno di regno at Garsington
Christopher Alden, Chris Hopkins and an excellent cast send us a comic roller coaster ride with Verdi’s ultra-rarely performed second opera.
COC’s Don Pasquale gets a one-note Dolce Vita treatment
Canadian Opera Company's Don Pasquale offers a stylish Italian 1960s Fellini-inspired concept that delivers comedy but omits the pathos.