Neue Kritikenmehr...
Ein pulsierendes Herz: L-E-V bei Julidans in Amsterdam
Sharon Eyal und Gai Behars Choreographie erzählt von (Liebes)Glück und Einsamkeit.
Ermonela Jaho bows out as Violetta in Coppola’s stylish Rome Traviata
After singing the role of Violetta over 300 times, Ermonela Jaho announces this Rome run of La traviata will be her last.
Abandon all hope: Lucia Ronchetti's Inferno receives Italian premiere
The Italian premiere of Lucia Ronchetti’s Inferno at the Teatro dell’Opera di Roma uses Dante’s original verses, but her score fails to match their beauty.
Sharon Eyal’s Into the Hairy at Sadler’s Wells
Sharon Eyal and Gai Behar’s S-E-D comes to Sadler's Wells with Into the Hairy, worth seeing for extraordinary dancers and the idiosyncratic nature of her distinctive choreography.
Sharon Eyal and Gail Behar's R.o.s.e: innovative, but disappointing
R.o.s.e is an immersive experience of a performance within a rave – not the most enjoyable way to appreciate the professional dancers.
Skid/Saaba: a thrilling free fall into contemporary dance
Swedish contemporary dance company GöteborgsOperans Danskompani pushes the audience off balance with a quirky, compelling, and innovative double bill.