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Performer: Matthias Henneberg

Veranstaltungstippsmehr...

DresdenTosca

Puccini: Tosca
Daniele Callegari; Johannes Schaaf; Sächsische Staatsoper Dresden; Antonino Fogliani; Giampaolo Bisanti; Christof Cremer; Petra Reinhardt

DresdenLe nozze di Figaro

Mozart: Le Nozze di Figaro (Die Hochzeit des Figaro)
TBC; Johannes Erath; Sächsische Staatsoper Dresden; Katrin Connan; Birgit Wentsch; Sebastian Wartig; Iulia Maria Dan

DresdenDie verkaufte Braut

Smetana: Die verkaufte Braut
Srboljub Dinić; Mariame Clément; Sächsische Staatsoper Dresden; Julia Hansen; Iulia Maria Dan; Pavol Breslik

DresdenRigoletto

Verdi: Rigoletto
Antonino Fogliani; Nikolaus Lehnhoff; Sächsische Staatsoper Dresden; Raimund Bauer; Bettina Walter; Antonio Yang; Andrzej Dobber
Neue Kritikenmehr...

Netrebko und Beczala geben Wagner-Debüt

Anna Netrebko (Elsa) und Piotr Beczala (Lohengrin) © Daniel Koch | Semperoper Dresden
Anna Netrebkos und Piotr Beczalas Lohengrin-Debüt unter Christian Thielemann an der Semperoper bringt das Haus zum Beben.
****1
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Anna Netrebkos Traum-Elsa in Dresdner Lohengrin

Anna Netrebko (Elsa) und Piotr Beczała (Lohengrin) © Daniel Koch
Anna Netrebko gab ihre erste Elsa in Dresden unter der Leitung von Christian Thielemann. Es war eine bemerkenswerte Vorstellung, die man nicht vergisst.
*****
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Folk rhythms and changing times in Dresden's Bartered Bride

Hrachuhí Bassénz (Marie) and Pavol Breslik (Hans) © Semperoper Dresden/Ludwig Olah
What brought real distinction and authenticity to the evening, as so often in this house, was the outstanding playing of the Staatskapelle conducted by Tomaš Netopil. From the start of the overture with its rapidly scurrying fugato for strings and pointed phrasing from the woodwind one felt the true sense of Smetana’s Czech inflected rhythms and harmonies
***11
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Fidelio an enduring ode to freedom in Dresden

The Dresden Semperoper premiered a new production of Fidelio scarcely a month before the fall of East Germany. Much has changed in the intervening decade and a bit, but the Semperoper is still playing the same Fidelio. It doesn't take much knowledge of recent German history to understand why it was a sensation at the time.
***11
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A baroque rarity with a modern twist

Johann Adolf Hasse (1699-1783) was a renowned opera composer of the eighteenth century. As the Kapellmeister at the Dresden court from 1731 to 1763, he composed a large number of Italian operas and his fame spread all over Europe. His wife, the equally famous mezzo-soprano Faustina Bordoni (who also sang in Handel’s operas in London), starred in many of his operas.