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Performer: Michael Fabiano

Veranstaltungstippsmehr...

MadridLa traviata

La traviata
Verdi: La traviata
Henrik Nánási; Willy Decker; Teatro Real; Nicola Luisotti; Wolfgang Gussmann; Susana Mendoza; Nadine Sierra

ParisLes Contes d'Hoffmann

Offenbach: Contes d'Hoffmann, Les (Hoffmanns Erzählungen)
Sir Mark Elder; Robert Carsen; Opéra national de Paris; Michael Levine; Michael Fabiano; Jodie Devos

BerlinCarmen

Bizet: Carmen
Daniel Barenboim; Martin Kušej; Staatsoper Berlin; Jens Kilian; Heidi Hackl; Anita Rachvelishvili; Michael Fabiano

LondonDon Carlo

Verdi: Don Carlo(s)
Richard Farnes; Nicholas Hytner; The Royal Opera; Bob Crowley; Ferruccio Furlanetto; Michael Fabiano
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Strong singing as The Met revives Massenet’s Manon

Lisette Oropesa (Manon) © Marty Sohl | Met Opera
Laurent Pelly’s darkly stylish production of Manon is revived with a strong cast of singers. In the title role, Lisette Oropesa demonstrated elegant and incisive singing, while Michael Fabiano was her virile and powerful partner.
***11
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Plácido Domingo resuelve con oficio su paso por el Teatro Real

Plácido Domingo en Giovanna d'Arco © Javier del Real | Teatro Real
La visita de Plácido Domingo al Teatro Real, si bien se sucede cada año, no deja de ser un evento de relevancia, especialmente para seguir constatando como el que fue tenor y ahora se exhibe en papeles de barítono sigue pisando las tablas del escenario con convicción y vitalidad.
***11
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Polished but cool: Rigoletto at Staatsoper Berlin

Rigoletto at Staatsoper Berlin © Brinkhoff Mögenburg
Nadine Sierra's Gilda is the highlight of Michael Sher's polished production, which doesn't quite tug at the heartstrings.
***11
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Faust finds salvation thanks to jump-in soprano

Mandy Fredrich © Eellen Schmaus
A devilishly fun performance of Gounod's take on Goethe, saved when Mandy Fredrich flew in at short notice to take over the role of Marguerite. 
****1
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Intense role debut from Michael Fabiano as Werther in Sydney

Michael Fabiano (Werther) © Prudence Upton
The real triumph of Michael Fabiano's role debut as Werther lay in controlling the bold intensity of his voice in favour of a sweet and lower-key level of passion – a match for Massenet's frequent choice of the cello.
****1
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