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Performer: Michael Honeyman

Veranstaltungstippsmehr...

SydneyFaust

© Georges Antoni
Gounod: Faust
Lorenzo Passerini; Sir David McVicar; Opera Australia; Charles Edwards; Brigitte Reiffenstuel; Irina Lungu; Ivan Magrì

SydneyLa traviata

© Georges Antoni
Verdi: La traviata
Brian Castles-Onion; Constantine Costi; Opera Australia; Brian Thomson; Tess Schofield; Stacey Alleaume; Jessica Nuccio

SydneyLucrezia Borgia in Concert

Lucrezia Borgia in Concert
Donizetti: Lucrezia Borgia
Carlo Montanaro; Opera Australia; Jessica Pratt; Varduhi Abrahamyan; Michael Honeyman; Giuseppe Gipali

MelbourneLucrezia Borgia in Concert

Lucrezia Borgia in Concert
Donizetti: Lucrezia Borgia
Carlo Montanaro; Opera Australia; Jessica Pratt; Varduhi Abrahamyan; Giuseppe Gipali; Virgilio Marino

BrisbaneThe Ring Cycle: Das Rheingold

The Ring Cycle: Das Rheingold
Wagner: Das Rheingold
Philippe Auguin; Chen Shi-Zheng; Opera Australia; Anita Yavich; Vitalij Kowaljow; Michael Honeyman; Dean Bassett
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Himmlische Latonia Moore in Aida

Kamele, Feuerwerk und ein riesiger Kopf von Nefertiti: der Sydney Harbour-Inszenierung von Aida fehlt es nicht an Spektakel. Latonia Moore sticht in der Titelrolle heraus, mit guter Unterstützung von Miliaja Nikolic als Amneris und Michael Honeyman als Amonasro.
***11
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A new, darker Butterfly at Opera Australia

Karah Son (Cio-Cio-San) © Prudence Upton
Graeme Murphy's new Madama Butterfly opens with arrestingly kinky imagery and heavily exploits digital projections thereafter, but the joy of the production is in the uniform excellence of the performers, headed by the outstanding Karah Son in the title role.
****1
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Barbed wire fences and gas masks: Wozzeck in Sydney

Michael Honeyman (Wozzeck) © Keith Saunders
Kentridge’s use of video technology creates another, highly complex, visual score next to Berg’s sonic one.
****1
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Master masons: Holten’s Meistersinger comes to Melbourne

Michael Kupfer-Radecky (Hans Sachs) © Jeff Busby
Having offered a strong feminist reading of Wagner's Ring, could Kasper Holten do the same again for Die Meistersinger? Opera Australia's co-production had moments of excellence, but ultimately left the viewer with more questions than answers
***11
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Opera Australia’s Tosca highlights the tyranny of evil Scarpia

Marco Vratogna (Scarpia) © Jeff Busby
Remarkable singers and magnificent sets successfully transpose Puccini’s Tosca to Nazi-occupied Rome, bringing home the horror of tyranny and how possible it is to occur.
****1
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