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A radically trad Fidelio at Garsington
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Simple solutions prove the best in Beethoven's "problem" opera as John Cox's staging is revived at Garsington.
L'Aida caricaturale d'Annabel Arden à Copenhague
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Si la direction musicale de Paolo Carignani, l'orchestre et les chœurs impressionnent, l'ensemble de la production est plombé par une mise en scène caricaturale, tandis que la distribution laisse une impression mitigée.
Utterly bewitching Rusalka at Garsington Opera
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It's taken two years for Jack Furness' new production of Dvořák's greatest opera to reach the Garsington stage, but it is entirely worth the wait, with a breathtaking performance from Natalya Romaniw in the title role.