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Lights, camera, distraction: Opera Holland Park stages B-movie Bohème

Natascha Metherell relocates the action to an Italian film studio of the 1950s, which looks great but brings problems.
A house debut to savour: Natalya Romaniw in ENO's Bohème
Jonathan Miller's production of La bohème is revived by ENO and features an important house debut.
Jonathan Miller's La bohème returns to ENO
ENO's revival of Jonathan Miller's 2009 production is musically solid, but falls short of the dramatic intensity achieved in previous years.
Refreshingly unfussy: Jonathan Miller's classic La bohème revived at ENO
What to do with a “classic revival” that has, in the main, met the critics’ eye of approval? That was the question facing Natascha Metherell, the revival director of ENO’s production of La bohème, which opened this week at the Coliseum. The revival was in fact deftly handled: a production which remained faithful to Miller’s original vision, with honest, rather than over-egged, sentimentality.
