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SydneyThe Merry Widow
Lehár: Die lustige Witwe
Vanessa Scammell; Graeme Murphy; Opera Australia; Michael Scott-Mitchell; Jennifer Irwin; Damien Cooper; Opera Australia Orchestra
SydneyRigoletto
Verdi: Rigoletto
Sesto Quatrini; Elijah Moshinsky; Opera Australia; Michael Yeargan; Robert Bryan; Opera Australia Orchestra
SydneyLa Stupenda
Opera Australia Orchestra; Speranza Scappucci; Stuart Maunder; Alex Lynn; Jessica Pratt; Caitlin Hulcup
MelbourneLa bohème
Puccini: La bohème
Finnegan Downie Dear; Constantine Costi; Opera Australia; Dann Barber; Sabina Myers; Morgan Moroney; Orchestra Victoria
MelbourneWatershed: The Death of Dr Duncan
Twist: Watershed: The Death of Dr Duncan
Brett Weymark; Neil Armfield; Opera Australia; Ailsa Paterson; Nigel Levings; Orchestra Victoria
Neue Kritikenmehr...
Himmlische Latonia Moore in Aida
Kamele, Feuerwerk und ein riesiger Kopf von Nefertiti: der Sydney Harbour-Inszenierung von Aida fehlt es nicht an Spektakel. Latonia Moore sticht in der Titelrolle heraus, mit guter Unterstützung von Miliaja Nikolic als Amneris und Michael Honeyman als Amonasro.
Wit, waltzes and a happy ending in Opera Australia’s The Merry Widow
Opera's greatest romcom glitters on its third outing at the Sydney Opera House.
Opera Australia’s Eugene Onegin shines musically
Eugene Onegin returns to the Sydney Opera house in Kasper Holten’s slightly awkward production but the singing and orchestral playing are exemplary.
A psychological Turandot in Ann Yee's Opera Australia staging
Opera Australia's new Turandot succeeds with musical, dramatic and visual values with a mix of local and imported talent.
Siobhan Stagg leads a strong Marriage of Figaro revival in Sydney
Siobhan Stagg is an outstanding Susanna in a strongly cast and well produced Marriage of Figaro at the Sydney Opera House
Watery magic as Nicole Car makes a triumphant return to Sydney
Nicole Car makes her role debut as Dvořák's Rusalka in a production by Sarah Giles that proves a winner.