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Piovani: Romanzo criminale
Nicola Piovani; Massimo Popolizio; Maggio Musicale Fiorentino; Margherita Palli; Silvia Aymonino; Pasquale Mari; Orchestra del Maggio Musicale Fiorentino
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Im milden Licht der Dämmerung: Simon Boccanegra in Baden-Baden
In einer konventionellen Inszenierung, aber einem stimmungsvollen Bühnenbild stirbt in Baden-Baden Plácido Domingo als Simon Boccanegra einen würdevollen Operntod.
Rosa Feola’s Lucia rescues a San Carlo production showing its age
Gianni Amelio's 2021 production of Lucia di Lammermoor at the Teatro di San Carlo serves the music, but it no longer commands the same sense of discovery.
San Carlo’s Medea a clash of worlds in a neoclassical framework
A new Medea at the Teatro di San Carlo presents three distinct visions – neoclassical in the pit, expressionistic on stage and conceptual in the direction – that never fully merge.
Martone's modern Rigoletto returns with power and flaws to La Scala
A Rigoletto revival in Milan is elevated by a stellar vocal performance from Amartuvshin Enkhbat, despite a finale that divides opinion and some uneven orchestral pacing.
A new Onegin underwhelms at La Scala
Mario Martone’s new production is inconsistent, while the musical performance is hindered by lacklustre conducting and a miscast prima donna.
Hernández and Sartori bring life to La Scala double bill
Mario Martone’s 2011 production, revived this season by Federica Stefani. fairly stands the test of time in Milan.