Neue Kritikenmehr...
Mira Nadon’s sparkling debut in Firebird with New York City Ballet
A triple bill comprising Balanchine's Symphony in C, Agon and Firebird could not have been more inspiringly danced by New York City Ballet.
Contrasting splendors at New York City Ballet: Robbins and Balanchine
A sublime Robbins-Balanchine pairing at New York City Ballet, it was Robbins’ Goldberg Variations that came off best.
New York City Ballet: Midsummer comes early, uneven yet thrilling
Balanchine's much-loved yet maddeningly disjointed A Midsummer Night's Dream returns to New York City Ballet. Some glorious performances on opening night, some uneven. But the night belonged to the bugs.
Falling for Kyle Abraham, again, at New York City Ballet
When We Fell, Kyle Abraham’s bracing new piece for NYCB, made a minimalist statement on a maximalist quadruple bill, also notable for stunning ensemble work in Alexei Ratmansky's Odesa.
NYCB: Justin Peck revisits the familiar in Mystic Familiar
New York City Ballet deliver an enjoyable, diverse, if occasionally predictable triple bill with revivals of works premiered last season.
New York City Ballet dancers revel in a double scoop of Robbins
Two masterworks by Jerome Robbins, Brandenburg and A Suite of Dances, are joined by Wheeldon's steamy After the Rain and Ratmansky's Paquita challenge.