NYCB: Justin Peck revisits the familiar in Mystic Familiar

Joseph Gordon in Alexei Ratmansky's Solitude

Mira Nadon, Chun Wai Chan and the Company in Alexei Ratmansky's Solitude

Aarón Sanz and Jules Mabie in Caili Quan's Beneath the Tides

Taylor Stanley in Justin Peck's Mystic Familiar

New York City Ballet in Justin Peck's Mystic Familiar

Von Ivy Lin, 11 Mai 2025

Laden, bitte warten...

Veranstaltung anzeigen

“a remarkable performance from Gordon, who uncovers emotional depths I had never seen in his dancing”

Rezensierte Veranstaltung: Lincoln Center: David H Koch Theater, New York City, am 10 Mai 2025

Beneath the Tides (Caili Quan)

Solitude (Alexei Ratmansky)

Mystic Familiar (Justin Peck)

New York City Ballet

New York City Ballet Orchestra

Mira Nadon, Tanz

Sara Mearns, Tanz

Ashley Hod, Tanz

Alexa Maxwell, Tanz

Joseph Gordon, Tanz

Indiana Woodward, Tanz

Unity Phelan, Tanz

Preston Chamblee, Tanz

Taylor Stanley, Tanz

Naomi Corti, Tanz

Emily Kikta, Tanz

Peter Walker, Tanz

Tiler Peck, Tanz

Das Bayerische Staatsballett in Ratmanskys Paquita

Joy Wang Xin Yuan, 4th July

Mit Alexei Ratmanskys Wiederaufnahme von Petipas Paquita bietet das Bayerische Staatsballett eine faszinierende Zeitreise.

****1

Contemporary escapism at New York City Ballet

Carla Escoda, 1st May

A longtime NYCB fan favorite, Concerto DSCH by Alexei Ratmansky, meets the New York premiere of Christopher Wheeldon's Continuum. But the evening belonged to corps dancer Ruby Lister in Edwaard Liang’s Distant Cries.

****1

American Ballet Theatre's double bill is short and sweet in New York

Ivy Lin, 15th March

American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.

****1

A spectacular triple bill lifts ABT’s spring season in New York

Leigh Donlan, 13th March

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

****1

NYCB: Ratmansky’s The Naked King is not satire, but good fun

Ivy Lin, 7th February

New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

****1

NYCB: Balanchine + Ratmansky program warms the audience

Ivy Lin, 20th January

NYCB has a winning triple bill with its Balanchine + Ratmansky program. Excellent dancing and contrasting works sends the audience home in buoyant mood.

*****

Weitere Kritiken...

Ivy Lin

Ivy Lin's love of ballet began in high school when at the school dance she quickly realized she had two left feet. One always admires things one cannot do, and so Ivy began to attend dance performances to marvel at the grace and beauty of bodies in motion. Ivy's day job is a biology teacher and after a long day in the classroom she loves to unwind by watching dance. She also enjoys theater, opera, pop and classical music. Ivy has her own blog (www.humbledandoverwhelmed,blogspot.com)