Performer: Roy Cornelius Smith

Henzes Magnum Opus wird in der Neuinszenierung des Nationaltheaters auf packende Weise zum Leben erweckt.

Peter Konwitschny's production strips away much of the religious symbolism, presenting the difference between Jews and Christians as little more than the dyed colour of their hands. 

Jaquino dons the coat of the ousted Pizarro in this Volksoper production of Fidelio, clearly indicating that just as one evil head has been (literally) cut off, another is growing in its place… 

Nothing says “Happy Easter” like a bit of alcohol-fuelled murder on the church steps, right? With their new double bill of Mascagni’s Cavalleria Rusticana and Leoncavallo’s Pagliacci, the Norwegian National Opera certainly seems to think so!The two productions were done on practically the same sets, albeit with a few differences, which did create a rather wonderful sense of continuity from the fir