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DublinBerlioz The Damnation of FaustKonzertante Aufführung
Berlioz: La Damnation de Faust
Antony Hermus; National Symphony Orchestra Ireland; National Symphony Chorus Ireland; Paul Appleby; Adam Plachetka
DublinCarmen
Bizet: Carmen
Fergus Sheil; Paul Curran; Irish National Opera; Gary McCann; Paul Hackenmueller; Irish National Opera Orchestra
NavanLes BoréadesNeuinszenierung
Rameau: Les Boréades
Camille Delaforge; RB Schlather; Irish National Opera; Soutra Gilmour; Adam Silverman; Irish Baroque Orchestra
DublinLes BoréadesNeuinszenierung
Rameau: Les Boréades
Camille Delaforge; RB Schlather; Irish National Opera; Soutra Gilmour; Adam Silverman; Irish Baroque Orchestra
WexfordLes BoréadesNeuinszenierung
Rameau: Les Boréades
Camille Delaforge; RB Schlather; Irish National Opera; Soutra Gilmour; Adam Silverman; Irish Baroque Orchestra
TraleeLes BoréadesNeuinszenierung
Rameau: Les Boréades
Camille Delaforge; RB Schlather; Irish National Opera; Soutra Gilmour; Adam Silverman; Irish Baroque Orchestra
Neue Kritikenmehr...
INO's attractive, lively Carmen fails to convince in Dublin
Niamh O’Sullivan brings charisma to an attractive, colourful production, but a lack of dramatic intensity leaves Bizet’s enduring tale of passion and possessiveness short of its full impact.
The Importance of Being Earnest is a smash hit for Garsington
A handbag? Jack Furness’ uproarious new production of Gerald Barry’s irreverent take Oscar Wilde bares some very sharp teeth.
Terrifically strong principals in Irish National Opera’s Rigoletto
Michael Chioldi, Soraya Mafi and Bekhzod Davronov shine in Julien Chavez’ energetic production in Dublin’s Bord Gais Theatre.
Strong voices shine amidst Fuchs' superficially garish Traviata
Strong vocals from the three principal singers and a sure musical direction from young conductor Farrell help offset some of the less than convincing elements to Olivia Fuchs' production.
Gold medal for Irish National Opera's L’Olimpiade at Covent Garden
Venetian Baroque opera once had a raison d'être of spectacular and complex stagings, but Daisy Evans makes us see that other ways are possible.
On a knife-edge: Carmen returns to English National Opera
Bieito’s vivid production of Bizet's most famous work is a classic; his attack on toxic masculinity is visceral, made more potent by an excellent leading pair of singers.