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Intérprete: Seán Boylan

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DublinCarmen

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Bizet: Carmen
Fergus Sheil; Paul Curran; Irish National Opera; Gary McCann; Paul Hackenmueller; Irish National Opera Orchestra

NavanLes BoréadesNueva producción

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Rameau: Les Boréades
Camille Delaforge; RB Schlather; Irish National Opera; Soutra Gilmour; Adam Silverman; Irish Baroque Orchestra

DublinLes BoréadesNueva producción

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Rameau: Les Boréades
Camille Delaforge; RB Schlather; Irish National Opera; Soutra Gilmour; Adam Silverman; Irish Baroque Orchestra

WexfordLes BoréadesNueva producción

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Rameau: Les Boréades
Camille Delaforge; RB Schlather; Irish National Opera; Soutra Gilmour; Adam Silverman; Irish Baroque Orchestra

TraleeLes BoréadesNueva producción

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Rameau: Les Boréades
Camille Delaforge; RB Schlather; Irish National Opera; Soutra Gilmour; Adam Silverman; Irish Baroque Orchestra

CorkLes BoréadesNueva producción

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Rameau: Les Boréades
Camille Delaforge; RB Schlather; Irish National Opera; Soutra Gilmour; Adam Silverman; Irish Baroque Orchestra
Últimas críticasVer más...

The Importance of Being Earnest is a smash hit for Garsington

Henry Waddington (Lady Bracknell) © Richard Hubert Smith
A handbag? Jack Furness’ uproarious new production of Gerald Barry’s irreverent take Oscar Wilde bares some very sharp teeth. 

Terrifically strong principals in Irish National Opera’s Rigoletto

Soraya Mafi (Gilda) and Michael Chioldi (Rigoletto) © Patrick Redmond
Michael Chioldi, Soraya Mafi and Bekhzod Davronov shine in Julien Chavez’ energetic production in Dublin’s Bord Gais Theatre. 

Strong voices shine amidst Fuchs' superficially garish Traviata

La traviata © Ros Kavanagh
Strong vocals from the three principal singers and a sure musical direction from young conductor Farrell help offset some of the less than convincing elements to Olivia Fuchs' production. 

Gold medal for Irish National Opera's L’Olimpiade at Covent Garden

Meili Li (Licida) and ensemble © Ros Kananagh
Venetian Baroque opera once had a raison d'être of spectacular and complex stagings, but Daisy Evans makes us see that other ways are possible.

On a knife-edge: Carmen returns to English National Opera

Sean Panikkar (Don José) and Ginger Costa-Jackson (Carmen) © Adiam Yemane
Bieito’s vivid production of Bizet's most famous work is a classic; his attack on toxic masculinity is visceral, made more potent by an excellent leading pair of singers.

Staging sorcery: Dvořák's Armida played straight in Wexford

Jozef Benci (King Hydraot) and Jennifer Davis (Armida) © Clive Barda | ArenaPAL
Dvořák’s final opera gets a rare staging outside its Czech homeland, at Wexford – the festival where dead operas return to life.