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BecketMixed programme – San Francisco Ballet
Beethoven, Minkus, Glasunow, Tschaikowsky, Pook, Blake
Hans van Manen; Marius Petipa; Helgi Tomasson; Tamara Rojo; George Balanchine; Akram Khan; William Forsythe; San Francisco Ballet
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Lady with the Lamp: Tamara Rojo’s Raymonda returns for brief UK tour
English National Ballet tours its outgoing artistic director's revision of Petipa's Raymonda, but it's Glazunov who proves the real winner.
Les adieux mémorables de Tamara Rojo dans Giselle d’Akram Khan
Pour sa dernière apparition sur scène et alors qu'elle s'apprête à quitter l'English National Ballet pour le poste de directrice artistique du San Francisco Ballet, Tamara Rojo a livré une grande performance.
Una Giselle que rompe muros: Tamara Rojo y Akram Khan
Expectativas más que cumplidas en esta producción del English National Ballet con Akram Khan; dos gigantes del panorama coreográfico contemporáneo que recrearon una Giselle actual, febril y nada inocente.
Tamara Rojo's Raymonda: a thrilling legacy bestowed upon ENB
Petipa's classical choreography and Glazunov's ravishing score fuse with a reimagined narrative and bold choreographic additions to create a new Raymonda for the 21st century.
A roller-coaster of diverse dance as ENB celebrates its 70th
A slick and stylish celebration at the Coliseum of this great company's achievements over 70 years.
Northern Ballet at 50: a gala celebration in Leeds
Northern Ballet reaches its half-century with a gala at Leeds Grand Theatre featuring highlights from its "greatest hits".
Neuste Artikel
Stepping into Petipa’s shoes: Tamara Rojo on creating a new Raymonda
The Artistic Director of English National Ballet reflects on her company's lockdown achievements and discusses her first foray into choreography to revive a 19th-century classic.
Performing Rites: how Stravinsky’s Sacre du printemps still shocks
Over a century after its premiere, Stravinsky's The Rite of Spring still has the power to shock. Vasily Petrenko offers insights, while Tamara Rojo reflects on one of the most powerful choreographies, the version by Pina Bausch.