Neue Kritikenmehr...
Mira Nadon’s sparkling debut in Firebird with New York City Ballet
A triple bill comprising Balanchine's Symphony in C, Agon and Firebird could not have been more inspiringly danced by New York City Ballet.
Contrasting splendors at New York City Ballet: Robbins and Balanchine
A sublime Robbins-Balanchine pairing at New York City Ballet, it was Robbins’ Goldberg Variations that came off best.
Few signs of heat in a mixed bill at New York City Ballet
New York City Ballet offered a few exhilarating moments in a mishmash of a program from the company with arguably the greatest rep in the world.
Savoring the glories of a timeless all-Balanchine program with NYCB
NYCB's triple bill that harks back to the 1950s proves a love letter to an America that never was.
New York City Ballet: Midsummer comes early, uneven yet thrilling
Balanchine's much-loved yet maddeningly disjointed A Midsummer Night's Dream returns to New York City Ballet. Some glorious performances on opening night, some uneven. But the night belonged to the bugs.
Falling for Kyle Abraham, again, at New York City Ballet
When We Fell, Kyle Abraham’s bracing new piece for NYCB, made a minimalist statement on a maximalist quadruple bill, also notable for stunning ensemble work in Alexei Ratmansky's Odesa.