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Performer: Taylor Stanley

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New York CityNew Works Festival

Bell, Schnittke, Jara, Akinmusire, Thile
Sidra Bell; Pam Tanowitz; Russell Janzen; Andrea Miller; Jamar Roberts; Justin Peck; New York City Ballet; Caitlin Taylor; Ghaleb Kayali; Emily Kikta; Mira Nadon
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Fall season's new works fall short at NYCB

Mary Thomas MacKinnon and Company in Lauren Lovette’s The Shaded Line © Erin Baiano
Disappointing new creations in NYCB's Fall Fashion Gala, leaving Balanchine's Symphony in C as a surefire closer. 
***11
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Something for everyone: Balanchine + Wheeldon at New York City Ballet

New York City Ballet in Christopher Wheeldon’s DGV: Danse à Grand Vitesse © Paul Kolnik
Whatever your taste in ballet, this program probably had it: Wheeldon's DGV meets Balanchine's Door and a Sigh and Raymonda Variations
***11
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A hit and a miss from Justin Peck and epic Balanchine

Adrian Danchig-Waring and Sterling Hyltin in George Balanchine’s Symphony in Three Movements © Paul Kolnik
Ballets live and die by their scores – as Balanchine knew when he kept returning to Stravinsky. His Symphony in Three Movements will live forever, as will Justin Peck's The Times are Racing, to Dan Deacon's America.
***11
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Order and disorder: Balanchine and Tanowitz square off at NYCB

New York City Ballet in Pam Tanowitz’s Bartók Ballet © Erin Baiano
Modern dance choreographer Pam Tanowitz' first commission for New York City Ballet proved unruly yet fascinating, sandwiched between George Balanchine's enduring Valse-Fantaisie and Western Symphony.
***11
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Barber, Broadway and Balanchine bring a buzz to New York City Ballet

Sara Mearns in Balanchine's Slaughter on Tenth Avenue © Paul Kolnik
Maria Kowroski and Tyler Angle at the top of their game in Diamonds. A smoking performance from Sara Mearns in Slaughter on 10th Avenue. Strong debuts from Emma Von Enck and Taylor Stanley and a memorable classical turn by Aaron Sanz in the Barber.
****1
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All Robbins at NYCB

When de Luz reached down and laid his hand on the floor in the final Nocturne, it suggested to me that, on this night and with these dancers, the stage was sacred ground.
****1
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