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Performer: Tianyi Lu

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AmsterdamRimsky-Korsakov's Sheherazade and Yulianna Avdeeva plays Rachmaninov

© Maxim Abrossimow
Habibi, Rachmaninow, Rimsky-Korsakow
Netherlands Radio Philharmonic Orchestra (Radio Filharmonisch Orkest); Tianyi Lu; Yulianna Avdeeva

LondonThe National Youth Orchestra: Zimmer & Tchaikovsky

Barbican
Zimmer, Tschaikowsky
National Youth Orchestra of Great Britain; Tianyi Lu

Monte-CarloTianyi Lu & Mao Fujita

Orchestre Philharmonique de Monte-Carlo
Glinka, Prokofjew, Strawinsky
Orchestre Philharmonique de Monte-Carlo; Tianyi Lu; Mao Fujita

HamburgPierre Génisson | Tianyi Lu

© Marco Borggreve
Copland, Tower, Tschaikowsky
Symphoniker Hamburg – Laeiszhalle Orchester; Tianyi Lu; Pierre Genisson

LondonRenée Fleming

© Andrew Eccles
Puts, Dvořák
London Philharmonic Orchestra; Tianyi Lu; Renée Fleming; Lucas Meachem

MelbourneChristian Li plays Brahms

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Andrée, Brahms, Tschaikowsky
Melbourne Symphony Orchestra; Tianyi Lu; Christian Li
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A novel take on a familiar tune: Tianyi Lu conducts Tchaikovsky 5

Tianyi Lu © Marco Borggreve
Tianyi Lu triumphs in her return to Montreal with a distinctive approach to Tchaikovsky's Fifth. Pierre-Laurent Aimard gives a spirited performance of Bartók's Third Piano Concerto.
***11
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Outstanding Dvořák and Brahms from the Hallé

Alban Gerhardt and the Hallé © David Hughes | The Hallé
The Hallé, conducted by Tianyi Lu, give a magnificent account of Dvořák's Cello Concerto with Alban Gerhardt and Brahms' Third Symphony. 
****1
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Musical storytelling from Sol Gabetta, Tianyi Lu and the BBCSO

Tianyi Lu, Sol Gabetta and the BBC Symphony Orchestra © BBC |  Chris Christodoulou
Four very pictographic pieces: from early Puccini, through Dukas and Stravinsky to the present-day Spanish composer Francisco Coll. Neatly painted by the performers and with nothing to unduly scare the horses.
***11
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Tianyi Lu commands attention in Scheherazade with the LPO

Tianyi Lu © Antony Potts
Tianyi Lu draws on the individual and collective virtuosity of the LPO to make an impressive debut in Rimsky-Korsakov, while Tom Borrow underplays the imperial qualities of Beethoven's “Emperor” Concerto. 
***11
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