Audio drag: Laurie Anderson and the Kronos Quartet present Landfall at the Barbican

Von Paul Kilbey, 01 Juli 2013

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Veranstaltung anzeigen

Rezensierte Veranstaltung: Barbican Hall, London, am 28 Juni 2013

Anderson, Landfall

Laurie Anderson, Performance Artist

Kronos Quartet

Kronos Quartet sets a course for the future with a night of new works

Kurt Gottschalk, 21st October

The program, drawn from Kronos’s 50 for the Future commissions, ranged from the exotic to the complex, with students joining in for a Philip Glass string orchestra finale.

****1

An alluring Common Ground

Jaime Robles, 6th October

Abstract ballet always asks the question of meaning, and Alonzo King Lines Ballet is one of the few companies that answers that question with existential exactness.

*****

Reich celebrations at the Paris Philharmonie

Leopold Tobisch, 13th November

Five hours of repetitive music on a Sunday evening may be a hellish way for some to end the week; fortunately, I belong in the second category. A concert series named “Steve Reich Unlimited” therefore required no further selling points.

****1

Philip Glass and the Kronos Quartet resurrect Dracula

Leopold Tobisch, 7th July

Philip Glass performs his music to the film Dracula, alongside the Kronos Quartet at the Philharmonie de Paris.

***11

Landfill: Laurie Anderson and the Kronos Quartet

Leopold Tobisch, 26th April

Laurie Anderson takes us on a dizzying journey in her weirdly wonderful Landfall, performed with the Kronos Quartet.

****1

Kronos Quartet premieres in NYC

Jacob Slattery, 7th March

If the Kronos Quartet had their way, every new slice of contemporary music would be a string quartet. In the basement of Carnegie Hall, the Kronos Quartet premiered three new works and one newish work to celebrate the life of Kronos’ dear friend, Larry Neff.

****1

Weitere Kritiken...

Paul Kilbey

Paul was Reviews Editor at Bachtrack from 2012 to February 2014. He has written on music and culture for publications including Culture Wars, the Huffington Post, the Independent and the Guardian. He holds BA and MPhil degrees in music from Sidney Sussex College, Cambridge, and is particularly passionate about contemporary music of all types. His website is here.