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Courageous wastefulness: Ekmeles Vocal Ensemble's John Cage at Avant Music Festival

Von Rebecca Lentjes, 03 März 2015
Laden, bitte warten...
Veranstaltung anzeigen
Rezensierte Veranstaltung: Wild Project, New York City, am 28 Februar 2015
Programm
Cage, ear for EAR (Antiphonies)
Cage, Four^2
Cage, Five
Cage, Hymns and Variations
Cage, Four Solos for voice
Darsteller
Ekmeles
Patrick Fennig, Countertenor
Charlotte Mundy, Sopran
Jane Sheldon, Sopran
Sarah Brailey, Sopran
Elisa Sutherland, Mezzosopran
Jamie Jordan, Sopran
Tim Keeler, Countertenor
Brian Giebler, Tenor
Nathaniel Adams, Tenor
Jeffrey Gavett, Bariton
Kelvin Chan, Bariton
Steven Hrycelak, Bass
Weitere Konzert Kritiken
Stockhausen, Raven Chacon and native American spirit
Kurt Gottschalk, 15th November
Rather than addressing indigenous genocide, Stockhausen's Am Himmel wandre ich and Chacon's Asdzaa Nádleehé and Yoolgai Asdzaa took native American poetry and myth as setting for an evening of unusual song. 
****1
Kopernikus revival finds inspiration – and cliché – in the afterlife
Kurt Gottschalk, 15th May

Composer Claude Vivier approaches the unknowable with a text delivered by a septet of vocalists in a language of his own invention. But the new production adds overly literal video, trading abstraction for the obvious.

***11
Stockhausen, Raven Chacon and native American spirit
Kurt Gottschalk, 15th November
Rather than addressing indigenous genocide, Stockhausen's Am Himmel wandre ich and Chacon's Asdzaa Nádleehé and Yoolgai Asdzaa took native American poetry and myth as setting for an evening of unusual song. 
****1
Uncompromising theatre: Gilgamesh world premiere
Jeremy Eccles, 26th September
A powerful work by brave innovators is a legacy for the departing Opera Australia Artistic Director. 
****1
Blinding ice: Finsterer's frozen Antarctica at the Sydney Festival
Jeremy Eccles, 5th January
Gorgeous music by Mary Finsterer and an evocative setting by Elizabeth Gadsby transport you to the ends of the earth.
****1
Britten's Canticles awakened at Sydney Chamber Opera
Jeremy Eccles, 30th September
Luke Styles' interludes to the Canticles may not set the musical world alight in Awakening Shadow, but they provide the perfect excuse to perform Britten's remarkable works.
****1
Weitere Kritiken...
Kritiken von
Charlotte MundyEkmelesElisa SutherlandFiveFour Solos for voiceFour^2Hymns and VariationsJane SheldonJeffrey GavettJohn CageSarah BraileySteven Hrycelakear for EAR (Antiphonies)
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Rebecca Lentjes
Rebecca Lentjes
Rebecca graduated from New York University in 2012, where she studied Music and Romance Languages. She now works as an assistant editor at RILM (Répertoire International de Littérature Musicale) and as manager of contemporary music collective ensemble mise-en.