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The sea is a subtle dance: Cullberg Ballet's collaboration with Deborah Hay

Von Jaime Robles, 23 Oktober 2016
Laden, bitte warten...
Veranstaltung anzeigen
“random, existentially tender ... terribly poignant”
Rezensierte Veranstaltung: UC Berkeley, Zellerbach Hall, Berkeley, am 22 Oktober 2016
Programm
Figure a Sea (Deborah Hay)
Darsteller
Cullberg
Weitere Tanz Kritiken
Cullberg: Figure a Sea at the Southbank
Graham Watts, 6th September
A slice of post-modern dance history for one-night only at the Southbank.
***11
Cullberg: Figure a Sea at the Southbank
Graham Watts, 6th September
A slice of post-modern dance history for one-night only at the Southbank.
***11
Eifman Ballet in a strangely psychological Pygmalion Effect
Jaime Robles, 31st May
Eifman has said he wants move dance back into theater and to use movement to explore the psychological. Both of these the company accomplishes.
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Xenos: The generous sorrow of Akram Khan
Jaime Robles, 2nd March
He turns and turns, elliptically and with the speed of a skater on ice. Sheer muscle defies gravity and the friction of feet on terra firma.
*****
No lonely hearts in MMDG’s Pepperland
Jaime Robles, 28th September
What makes this piece entirely Mark Morris is, even more than the dancing, the music. 
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Wang Ramirez take Borderline to California
Jaime Robles, 24th February
A cube hangs suspended at an angle and Ramirez, harnessed to a line above the stage, floats above it, fulfilling the promise of dance and the human desire to escape gravity – to fly in angelic weightlessness. 
*****
Weitere Kritiken...
Kritiken von
CullbergDeborah HayFigure a Sea
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Jaime Robles
Jaime Robles
Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.