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The sea is a subtle dance: Cullberg Ballet's collaboration with Deborah Hay

Par Jaime Robles, 23 octobre 2016
Chargement en cours, veuillez patienter...
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“random, existentially tender ... terribly poignant”
Critique faite à UC Berkeley, Zellerbach Hall, Berkeley, le 22 octobre 2016
Programme
Figure a Sea (Deborah Hay)
Artistes
Cullberg
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Cullberg: Figure a Sea at the Southbank
Graham Watts, 6th September
A slice of post-modern dance history for one-night only at the Southbank.
***11
Cullberg: Figure a Sea at the Southbank
Graham Watts, 6th September
A slice of post-modern dance history for one-night only at the Southbank.
***11
Eifman Ballet in a strangely psychological Pygmalion Effect
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Eifman has said he wants move dance back into theater and to use movement to explore the psychological. Both of these the company accomplishes.
***11
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Jaime Robles, 2nd March
He turns and turns, elliptically and with the speed of a skater on ice. Sheer muscle defies gravity and the friction of feet on terra firma.
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Jaime Robles, 28th September
What makes this piece entirely Mark Morris is, even more than the dancing, the music. 
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Wang Ramirez take Borderline to California
Jaime Robles, 24th February
A cube hangs suspended at an angle and Ramirez, harnessed to a line above the stage, floats above it, fulfilling the promise of dance and the human desire to escape gravity – to fly in angelic weightlessness. 
*****
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CullbergDeborah HayFigure a Sea
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Jaime Robles
Jaime Robles
Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.