Opera Phila’s Ainadamar in a sensation-rich new production

Von Gale Martin, 19 Februar 2014

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Veranstaltung anzeigen

“Golijov's Ainadamar, “Fountain of Tears”, in a sensation-rich production by Opera Phila”

Rezensierte Veranstaltung: Academy of Music, Philadelphia, am 16 Februar 2014

Golijov, Ainadamar (Quelle der Tränen) (Fountain of Tears)

Opera Philadelphia

Ópera de Oviedo

Corrado Rovaris, Musikalische Leitung

Luis de Tavira, Regie

Philippe Amand, Bühnenbild

María Hinojosa Montenegro, Margarita Xirgu

Marina Pardo, Federico García Lorca

Alfredo Tejada, Ruiz Alonzo

Patrick Guetti, José Tripaldi

Justine Aronson, First Solo Niña

Kelly Ann Bixby, Second Solo Niña

John Viscardi, Torero

Andrew Bogard, Maestro

Opera by committee: Opera Philadelphia premieres Complications in Sue

Cameron Kelsall, 4th February

Opera Philadelphia commissions ten composers to tell the story of an ordinary woman's idiosyncratic march from cradle to tomb.

****1

A didactic Decameron: The Seasons at Opera Philadelphia

Cameron Kelsall, 20th December

Conceived by Anthony Roth Costanzo and Sarah Ruhl, this high-handed pasticcio sets the climate crisis to a soundtrack of Vivaldi.

***11

A long, strange trip: Opera Philadelphia’s Il viaggio a Reims

Cameron Kelsall, 19th September

The intrepid company brings Damiano Michieletto’s well-traveled production of a Rossini rarity to the US for the first time.

***11

The Listeners: daring psychological thriller at Opera Philadelphia

Cameron Kelsall, 25th September

The new opera by Missy Mazzoli and Royce Vavrek draws on cult mindsets and conspiracy theories but smartly avoids sensationalism.

****1

Opera Philadelphia's Unholy Wars creates a dialogue with Monteverdi

Cameron Kelsall, 23rd September

Arab-American tenor Karim Sulayman devises a thoughtful pastiche that centers the perspective omitted from Early Modern depictions of the Middle East in music.

****1

Quinn Kelsey triumphs in Opera Philadelphia's Simon Boccanegra

Cameron Kelsall, 22nd September

In his role debut as the Genoan Doge, the American baritone continues to burnish his bona fides as the premier Verdi baritone of his generation.

****1

Weitere Kritiken...

Gale Martin

Based on the East Coast, Gale is an award-winning writer on the performing arts, books, literature and popular culture. She has just published Don Juan in Hankey and you can read her Operatoonity blog. Her articles have appeared in numerous anthologies.