Apartment House debut at Wigmore Hall

Von Paul Kilbey, 06 Januar 2014

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Wigmore Hall, London, am 4 Januar 2014

Crane, Sparling 2000

Fox, Memento

Garland, Where beautiful feathers abound

Wolman, Dead End

Spahlinger, 128 erfüllte augenblicke

Mažulis, Canon mensurabilis

Fox, Blank

Mačiūnas, In Memoriam to Adriano Olivetti

Apartment House

Eine Ode an das unergründliche Universum von Morton Feldman

Michael Klier, 9th January

Apartment House ist es gelungen, einem breiten Publikum die Möglichkeit zu geben, diese nachdenklich machende und die Fantasie beflügelnde Musik kennenzulernen.

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Apartment House’s day of delight, insight and excellence

Christopher Woodley, 13th April

At Wigmore Hall, Apartment House entertains and delights in a day of concerts, while Elaine Mitchener finds her voice in impressive style.

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Spectacular Feldman with Apartment House at The Rest is Noise

Penny Homer, 8th November

“Take an object. Do something to it. Do something else to it. Do something else to it”. These are Morton Feldman’s own words on his Patterns in a Chromatic Field. And they are a concise and accurate description of what occurs during the piece. Patterns... is one of Feldman’s later works, composed in 1981.

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Listen closely: Quiet music with Apartment House at Kings Place

Paul Kilbey, 22nd September

There’s something strange about applauding at the end of very quiet music: it is counterintuitive to make more noise clapping than the performers made during the actual performance. But the appreciative Kings Place crowd in Hall Two knew the drill, and this concert of “Some Recent Silences”, as it was billed, proved justly popular.

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Auferweckt: Gardiners Oster-Bach beim Heidelberger Frühling

Jens Klier, 10th April

Die Jahrzehnte dauernde Rückkehr des Dirigenten nach Heidelberg avanciert zu einem ergreifenden, begeisternden Fest von Botschaft und Musik, mit dem er interpretatorisch weiter in fast eigener Liga spielt.

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Bachs Matthäus-Passion mit Herreweghe in Zürich

Thomas Schacher, 4th April

Chor und Orchester des Collegium Vocale Gent und ihr charismatischer Leiter Philippe Herreweghe, längst Legenden der historischen Aufführungspraxis, beweisen, dass die Doppelchörigkeit der Matthäus-Passion nicht nur ein Stereo-Phänomen ist.

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Paul Kilbey

Paul was Reviews Editor at Bachtrack from 2012 to February 2014. He has written on music and culture for publications including Culture Wars, the Huffington Post, the Independent and the Guardian. He holds BA and MPhil degrees in music from Sidney Sussex College, Cambridge, and is particularly passionate about contemporary music of all types. His website is here.