Apartment House debut at Wigmore Hall

Par Paul Kilbey, 06 janvier 2014

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Critique faite à Wigmore Hall, Londres, le 4 janvier 2014

Crane, Sparling 2000

Fox, Memento

Garland, Where beautiful feathers abound

Wolman, Dead End

Spahlinger, 128 erfüllte augenblicke

Mažulis, Canon mensurabilis

Fox, Blank

Mačiūnas, In Memoriam to Adriano Olivetti

Apartment House

Apartment House’s day of delight, insight and excellence

Christopher Woodley, 13th April

At Wigmore Hall, Apartment House entertains and delights in a day of concerts, while Elaine Mitchener finds her voice in impressive style.

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Eine Ode an das unergründliche Universum von Morton Feldman

Michael Klier, 9th January

Apartment House ist es gelungen, einem breiten Publikum die Möglichkeit zu geben, diese nachdenklich machende und die Fantasie beflügelnde Musik kennenzulernen.

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Spectacular Feldman with Apartment House at The Rest is Noise

Penny Homer, 8th November

“Take an object. Do something to it. Do something else to it. Do something else to it”. These are Morton Feldman’s own words on his Patterns in a Chromatic Field. And they are a concise and accurate description of what occurs during the piece. Patterns... is one of Feldman’s later works, composed in 1981.

*****

Listen closely: Quiet music with Apartment House at Kings Place

Paul Kilbey, 22nd September

There’s something strange about applauding at the end of very quiet music: it is counterintuitive to make more noise clapping than the performers made during the actual performance. But the appreciative Kings Place crowd in Hall Two knew the drill, and this concert of “Some Recent Silences”, as it was billed, proved justly popular.

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L’Ensemble Artifices fait résonner Biber au Printemps des Arts

Manon Decroix, 21st March

Magnifiquement recréée par Alice Julien-Laferrière et son ensemble, la musique de Biber est apparue dans toute son originalité : vivante, mouvante, presque organique, respirant à travers ses tensions et ses passions.

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Chailly, Kantorow et la Scala vers la flamme à la Philharmonie

Pierre Michel, 21st March

La formation italienne et le pianiste français ont fait étalage de leur habileté dans un programme intégralement russe.

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Plus de critiques...

Paul Kilbey

Paul was Reviews Editor at Bachtrack from 2012 to February 2014. He has written on music and culture for publications including Culture Wars, the Huffington Post, the Independent and the Guardian. He holds BA and MPhil degrees in music from Sidney Sussex College, Cambridge, and is particularly passionate about contemporary music of all types. His website is here.