Metamorphoses of a 20 year-old string quartet: the Goldner Quartet in Sydney

At one point in Proust’s In Search of Lost Time, the narrator is listening to a sonata for piano and violin by the fictional Vinteuil, when “at a certain moment, without being able to distinguish any clear outline, or to give a name to what was pleasing him, suddenly enraptured, he tried to grasp the phrase or harmony – he did not know which – that had just been played and that had opened and expa

The noted Beethoven pianist Artur Schnabel was famously interested only in music that he felt was “better than it can be performed”. This idea of works which transcend any individual performance seems particularly true when it comes to Beethoven’s late string quartets, enigmatic masterpieces which continue to pose challenges to interpreters nearly two centuries after they were written.

Nach dem Europakonzert in Eisenstadt folgten faszinierte Zuhörer Kirill Petrenko und den Berliner Philharmonikern in Werken von Strawinsky, Tschaikowsky und Beethoven.

Klar herausgearbeitete Kontraste und ein überwältigend starker dramatischer Puls prägten diese konzertante Aufführung von Wagners Oper im Festspielhaus Baden-Baden.

Typische Feierlichkeit und Demut im Paradox-Amalgam lichter Dichte bestimmen diese erneute belgische Ensemblekooperation.

Der 98-jährige Dirigent und die Berliner Philharmoniker musizieren bei Bruckners Siebenter Symphonie im Einklang und werden zu einer Sternstunde der Saison.