Detroit Symphony Orchestra perform works by Xiaogang Ye at Lincoln Center

Von Lydia Brown, 24 September 2013

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Veranstaltung anzeigen

Rezensierte Veranstaltung: Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York City, am 22 September 2013

Ye Xiaogang, Twilight of the Himalayas, Op.68

Ye Xiaogang, The Last Paradise, Op.24

Ye Xiaogang, The Song of the Earth, Op.47

Detroit Symphony Orchestra

New York Choral Society

Yongyan Hu, Musikalische Leitung

Cho-Liang Lin, Violine

Measha Brueggergosman, Sopran

Yijie Shi, Tenor

Chen-Ye Yuan, Bariton

Bignamini conducts Detroit Symphony in a resplendent Beethoven 9

Sam Jacobson, 14th May

DSO music director Jader Bignamini leads his ensemble in the glory of Beethoven’s Ninth, prefaced by a recent work written as a companion piece to the symphony.

****1

A triple serving of Salome from Fabien Gabel in Detroit

Phillip Nones, 22nd April

The French conductor leads a “Salome-centric” concert high on drama and color, joined by Nicolas Altstaedt in presenting a cello concerto new to American audiences.

****1

France meets Russia at the Detroit Symphony

Erica Miner, 3rd December

Enrique Mazzola conducts an intriguing combination of a French work and a Russian work with a French title focusing on turn-of-the-century France.

***11

The concerto reconstructed: Detroit Symphony plays Sorey premiere

Annie Nikunen, 6th November

DSO plays Florence Price's Five Folksongs in Counterpoint and performs the world premiere of Tyshawn Sorey's For Marcos Balter for violin and orchestra with Jennifer Koh.

*****

Jacquelyn Stucker thrills in Strauss with the Detroit Symphony

Timothy Robson, 23rd October

Donald Runnicles conducted an imaginative chamber version of Strauss' testamentary Lieder, plus Elgar's own take on the concerto grosso form in his Introduction and Allegro.

***11

Jader Bignamini makes a strong impression with the Detroit Symphony

Timothy Robson, 18th September

In one of his first assignments as Music Director in Detroit, Bignamini conducts rarely-heard works by two Americans, along with an 18th-century Classical symphony by the Chevalier de Saint-Georges.

***11

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Lydia Brown

Lydia Brown is presently pursuing her B.A. at New York University, where she studies journalism and ethnomusicology. Though she trained for many years as a classical violinist, Lydia's interests include cross-cultural musical hybridity and the effects of miscegenation on the musical output of early Irish-Americans.