Written Unwritten | London Sinfonietta with Matthew Bourne

Von Katy S. Austin, 06 Juni 2011

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Veranstaltung anzeigen

Rezensierte Veranstaltung: Kings Place: Hall One, London, am 3 Juni 2011

Sorabji, Fantasiettina Atematica, for oboe, flute and ckarubetm KSS103

Berio, Sequenza VII, for oboe

Lachenmann, Ein Kinderspiel

Xenakis, Charisma

Xenakis, Rebonds

London Sinfonietta

Matthew Bourne, Klavier

London Sinfonietta explodes fixed views of Boulez

Roy Westbrook, 5th October

Pierre Boulez died in 2016, but on this evidence of this exploration into …explosante-fixe…, his music will live on.

*****

Patterns in motion: Sasha Waltz & Guests dance Riley’s In C

Marat Ingeldeev, 29th April

An evening of thrilling choreography and seamless synergy between dance and music, as Sasha Waltz & Guests and the London Sinfonietta bring Terry Riley’s legendary In C to life.

****1

London Sinfonietta's ‘Hidden Voices’ lack a narrative strand

Susannah Moody, 3rd April

The London Sinfonietta blends premieres and poetry in a confusing evening at the Southbank Centre.

**111

London Sinfonietta’s spectacular exploration of Cage and Boulez

Marat Ingeldeev, 9th March

Musical cross-pollination came to life in London Sinfonietta’s electrifying performance, in a seamless blend of theatre, history and virtuosic playing.

*****

London Sinfonietta weave Love Lines with passion and drama

Christopher Woodley, 6th December

Engaging performances, including two world premieres, are served up by one of Kings Place's partners in the ‘Scotland Unwrapped’ season.

****1

Failing better, sounding again: Beckett and Feldman at the Southbank

Marat Ingeldeev, 29th November

Beckett’s theatrical precision and Feldman’s fragile soundscapes cross paths at the Southbank Centre, creating a fleeting beauty in a profound artistic dialogue.

****1

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Katy S. Austin

Katy sings soprano, plays violin, cycles about and listens to music. She's a graduate of both Bristol and City Universities and has been known to write libretti.