Richard Siegal's Inferno in Amsterdam

Von Isabella Zijp, 06 November 2015

Laden, bitte warten...

Veranstaltung anzeigen

“An interesting concept with an excessive amount of incentives”

Rezensierte Veranstaltung: International Theater: Grote Zaal, Amsterdam, am 3 November 2015

Model (Richard Siegal)

Metric Dozen (Richard Siegal)

Bayerisches Staatsballett

Spitzengefühl und neoklassischer Ansatz

Katja Vaghi, 4th May

Die neue Premiere des Staatsballetts spannt einen Bogen über die neuere Tanzgeschichte des 20. und 21. Jahrhunderts.

****1

Ballett am Rhein: Boléro still thrills audiences

Vikki Jane Vile, 14th September

Ballett am Rhein open their season by bringing their programme to Düsseldorf, Soirée Ravel. Marking the 150th birthday of composer Maurice Ravel, audiences are treated to four of his most famous compositions.

***11

Opera Ballet Vlaanderen: a double bill that challenges the senses

Deborah Weiss, 24th October

This is a contrasting double bill – but don’t go expecting to leave the theatre humming the tunes.

***11

Bauhaus comes to the Hong Kong Arts Festival

Carla Escoda, 21st February

Oskar Schlemmer's arresting designs for The Triadic Ballet proved one of several high points in Bayerisches Staatsballett II's mixed bill at the Hong Kong Arts Festival.

***11

Cedar Lake's celebratory goodbye

Rachel Rizzuto, 5th June

Rachel Rizzuto reviews Cedar Lake's final performances as a company at BAM in New York City.

****1

Der Norm nicht entsprechen: The Romeo beim Holland Festival

Michael Klier, 26th June

Trajal Harrells moderne Choreographie erzählt die Geschichte des Romeo und sagt dabei mehr als tausend Worte...

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Weitere Kritiken...

Isabella Zijp

Isabella Zijp is a freelance dance writer and critic writing regularly for Bachtrack and other dance platforms. She shares her passion for ballet through writing, giving guided tours and conducting short presentations. In daily life she works as an editor and online marketeer while also writing about her other passion: travelling.

Richard Siegal puts audiences through hell in Model