Perfect partnership in Mikhailovsky Ballet Giselle

Von Margaret Willis, 28 März 2013

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: The London Coliseum, London, am 26 März 2013

Giselle (Jean Coralli, Jules Perrot, Marius Petipa, Nikita Delgushin)

Mikhailovsky Ballet

Natalia Osipova, Giselle

Ivan Vasiliev, Albrecht

Ekaterina Borchenko, Myrtha

A new Albrecht makes a polished Giselle shine even brighter

Deborah Weiss, 7th March

A last minute injury to Natalia Osipova does not mar the magic of Sir Peter Wright's Giselle as Marianela Núñez steps in to partner Patricio Revé.

****1

A Valentine’s Day Giselle in Atlanta: Romantic excellence

Rebecca Ehrhardt, 14th February

A lovely production of Giselle by the increasingly good and ever-growing Atlanta Ballet.

****1

The RB: Peter Wright’s Giselle is as near perfection as you can get

Amanda Jennings, 14th February

Sir Peter Wright’s Giselle was given a well-deserved, thunderous ovation on opening night. A near perfect rendition of the ballet from all quarters of the Company was deeply satisfying.

*****

La magie universelle de Giselle au Palais Garnier

Jade Larine, 6th October

La représentation du lundi 6 octobre, dédiée à Patrice Bart décédé quelques heures plus tôt, restera dans les mémoires des spectateurs présents ce soir-là, Sae Eun Park remportant un triomphe dans le rôle-titre.

****1

National Ballet of Japan’s Giselle: a triumphant London debut

Graham Watts, 24th July

National Ballet of Japan offer a 21st-century remake of this 19th-century Romantic classic with impeccable performances.

*****

American Ballet Theatre: Super-Giselle lives up to the hype (mostly)

Ivy Lin, 21st June

ABT's Giselle was the kind of glamorous, old-school ABT night of yore. You sensed the entire company leveled up for the occasion. One hopes that Smirnova will return in the future.

*****

Weitere Kritiken...

Margaret Willis

Margaret studied ballet in Moscow for five years and later was a member of London City Ballet. A reviewer since 1978 for many newspapers and magazines including Dancing Times and Dance Magazine, Margaret is a specialist on Russian Ballet, and has written books on Russian Ballet and Carlos Acosta.