Nachtträume in Zurich: Marcos Morau's portrait of threatened worlds

Dancers of Ballett Zürich

Ruben Drole

Dancers of Ballett Zürich

Riccardo Mambelli, Lucas Valente, Chandler Hammond, Francesca Dell'Aria

Von Sarah Batschelet, 01 Oktober 2022

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Veranstaltung anzeigen

Rezensierte Veranstaltung: Opernhaus, Zürich, am 30 September 2022

Nachtträume (Marcos Morau)

Ballett Zürich

Max Glaenzel, Bühnenbild

Silvia Delagneau, Kostüme

Martin Gebhardt, Licht

Ruben Drole, Bariton

Heinz Della Torre, Trompete

Luigi Largo, Klavier

Marcos Morau bezaubert mit neuer Choreographie in Den Haag

Michael Klier, 16th May

Zwei Premieren von Marcos Morau und Yoann & Marie Bourgeois sowie Crytal Pites Paradestück Solo Echo sorgen für einen elektrisierenden Abend.

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Trance und Euphorie: ein unvergesslicher Tanzabend mit dem NDT 2

Michael Klier, 4th November

Das Nederlands Dans Theater zeigt mit zwei jungen Choreographen, was modernes Tanztheater zu bieten hat.

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Marcos Morau en majesté dans Afanador au Châtelet

Iris Régnier, 27th March

Inspiré des photographies de Ruven Afanador, Marcos Morau mêle ici la mode, l'image et le flamenco dans un spectacle flamboyant interprété par un Ballet Nacional de España au sommet de son art.

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Fast Forward: Hamburg Ballet’s mixed bill proves a mixed success

Vikki Jane Vile, 22nd February

All that glistens... the world premiere of Xie Xin’s The Moon in the Ocean is the highlight of a mixed bill programme spanning 90 years of choreography.

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NDT 1’s Wildsong: innovative dance set to cinematic scores

Mark Vicente, 20th February

Wildsong presents a refreshing take on contemporary movement rooted in classical technique while revisiting a recent conceptual work of much acclaim, both performed by artists at the peak of their physical prowess.

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Marcos Morau’s Romeo + Juliet: lessons in volatility

Deborah Weiss, 3rd April

An unconventional dance take on Prokofiev's ubiquitous ballet for Opera Ballet Vlaanderen in Antwerp is not for the faint-hearted.

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Weitere Kritiken...

Sarah Batschelet

Sarah Batschlelet, long based in Switzerland, took a degree in Art History from Smith College, Northampton, Massachuetts, and lives as a freelance writer and editor near Zurich.