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Ballets Russes' Gesamtkunstwerk for the centenary of Picasso's visit to Italy

Von Martina Angioloni, 01 August 2017
Laden, bitte warten...
Veranstaltung anzeigen
“Parade became part of 20th century cultural history ... a work of genius that was ahead of its time”
Rezensierte Veranstaltung: Teatro Grande - Scavi di Pompei, Pompeii, am 29 Juli 2017
Programm
Parade (Leonide Massine)
Pulcinella (Leonide Massine)
Darsteller
Ballo del Teatro dell'Opera di Roma
Picasso, Pablo, Bühnenbild
Picasso, Pablo, Kostüme
Weitere Tanz Kritiken
Ave Maya: International stars perform in memory of Plisetskaya
Margaret Willis, 6th March
International Ballet stars come together on stage in London to honour the late legendary Russian ballet dancer Maya Plisetskaya.
*****
A heartfelt reunion with the Czech Philharmonic in Prague
Frank Kuznik, 19th March
A stellar soloist and deft work by Semyon Bychkov put a fresh spin on familiar fare in the Rudolfinum. 
****1
L'Heure espagnole délurée de Langrée et Gallienne au Comique
Jean-Pierre Rousseau, 9th March
L'opéra de Ravel remporte son match face au ballet de Stravinsky Pulcinella, plutôt décevant, alors que l'inénarrable Stéphanie d'Oustrac remporte un triomphe dans le rôle de Concepción.
****1
Hannigan and the LSO in Haydn and Stravinsky
Roy Westbrook, 21st September
Tempora mutantur; an inventive programme abut changing times, in the metrical, art-historical, and geo-political senses. 
****1
Stasevska and the BBCSO launch the Edinburgh International Festival
Simon Thompson, 7th August
An evening of musical optimism launches the 2021 Edinburgh International Festival with a burst of light and colour.
*****
Too small for the hall: the BBC SSO at the Proms
David Karlin, 6th August
Pergolesi is sung beautifully, Stravinsky performed with fun and verve, but the Royal Albert Hall is a big place for a chamber orchestra.
***11
Weitere Kritiken...
Kritiken von
Ballo del Teatro dell'Opera di RomaErik SatieIgor StrawinskyLeonide MassineParadePulcinella
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Der Alltag einer Ballerina: ein Interview mit Deborah Weiss
Vorhang auf für die Spielzeit 2018/19 an der Bayerischen Staatsoper
Martina Angioloni
Martina Angioloni
Born in Florence, Martina trained at the Academy of the Vienna State Opera and joined the Corps de Ballet of the Vienna State Opera Ballet at the age of 17. She danced for fourteen years with European ballet companies in Austria, Germany, England and Italy, covering both soloist and principal roles. She graduated cum Laude in theatre and dance science, holds a Masters in Performing Arts Management, and the Professional Dancers’ Postgraduate Teaching Certificate of the Royal Academy of Dance. She has contributed to the production of many artistic projects and speaks German, English and French in addition to her native language, Italian. She is a freelance choreographer, collaborates with the TeatriOnline magazine as a dance critic and is very passionate about opera. www.martinaangioloni.it