Bachtrack logo
Programación
Todos los eventosConciertosÓperaDanzaNiñosClases magistralesConcursosFestivales
Críticas
Todas las críticasConciertosÓperaDanza
Artículos
Todos los articulosDossieresEntrevistasOpiniónPlaylist
Noticias
Video
HomeTodos los vídeosEventos en directoConciertosÓperaDanzaNiñosClases magistralesEditores
Site
Acerca de nosotrosContacte con nostrosEnlacesCondiciones de usoCookiesPolitica de la privacidad
Jóvenes artistas
Viajes
EventosCríticasArtículosVideo

Ballets Russes' Gesamtkunstwerk for the centenary of Picasso's visit to Italy

Por Martina Angioloni, 01 agosto 2017
Descargando, espere, por favor...
Ver la programación
“Parade became part of 20th century cultural history ... a work of genius that was ahead of its time”
Crítica hecha desde Teatro Grande - Scavi di Pompei, Pompeii el 29 julio 2017
Programa
Parade (Leonide Massine)
Pulcinella (Leonide Massine)
Intérpretes
Ballo del Teatro dell'Opera di Roma
Picasso, Pablo, Diseño de escena
Picasso, Pablo, Diseño de vestuario
Más críticas de Danza
Ave Maya: International stars perform in memory of Plisetskaya
Margaret Willis, 6th March
International Ballet stars come together on stage in London to honour the late legendary Russian ballet dancer Maya Plisetskaya.
*****
A heartfelt reunion with the Czech Philharmonic in Prague
Frank Kuznik, 19th March
A stellar soloist and deft work by Semyon Bychkov put a fresh spin on familiar fare in the Rudolfinum. 
****1
L'Heure espagnole délurée de Langrée et Gallienne au Comique
Jean-Pierre Rousseau, 9th March
L'opéra de Ravel remporte son match face au ballet de Stravinsky Pulcinella, plutôt décevant, alors que l'inénarrable Stéphanie d'Oustrac remporte un triomphe dans le rôle de Concepción.
****1
Hannigan and the LSO in Haydn and Stravinsky
Roy Westbrook, 21st September
Tempora mutantur; an inventive programme abut changing times, in the metrical, art-historical, and geo-political senses. 
****1
Stasevska and the BBCSO launch the Edinburgh International Festival
Simon Thompson, 7th August
An evening of musical optimism launches the 2021 Edinburgh International Festival with a burst of light and colour.
*****
Too small for the hall: the BBC SSO at the Proms
David Karlin, 6th August
Pergolesi is sung beautifully, Stravinsky performed with fun and verve, but the Royal Albert Hall is a big place for a chamber orchestra.
***11
Más críticas...
Leer críticas de
Ballo del Teatro dell'Opera di RomaErik SatieIgor StravinskyLeonide MassineParadePulcinella
Artículos relacionados
Loading image...
La música pura de Stravinsky: la discreta reivindicación de la alteridad
Loading image...
La música de Stravinsky acaricia a Terpsícore: Les Ballets Russes de Diaghilev
Loading image...
Rimsky-Korsakov y Stravinsky: maestro y discípulo
Loading image...
Por qué aún necesitamos el ballet clásico: conversamos con Darcey Bussell, Cynthia Harvey y Aaron S. Watkin
Martina Angioloni
Martina Angioloni
Born in Florence, Martina trained at the Academy of the Vienna State Opera and joined the Corps de Ballet of the Vienna State Opera Ballet at the age of 17. She danced for fourteen years with European ballet companies in Austria, Germany, England and Italy, covering both soloist and principal roles. She graduated cum Laude in theatre and dance science, holds a Masters in Performing Arts Management, and the Professional Dancers’ Postgraduate Teaching Certificate of the Royal Academy of Dance. She has contributed to the production of many artistic projects and speaks German, English and French in addition to her native language, Italian. She is a freelance choreographer, collaborates with the TeatriOnline magazine as a dance critic and is very passionate about opera. www.martinaangioloni.it