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Sacred and profane in Guildhall School's Respighi double bill

Yolisa Ngwexana (The Blue Fairy)
© David Monteith-Hodge | Photographise
Vladyslava Ionascu-Yakovenko (Maria)
© David Monteith-Hodge | Photographise
La bella dormente nel bosco
© David Monteith-Hodge | Photographise
Ana-Carmen Balestra (Princess)
© David Monteith-Hodge | Photographise
Laden, bitte warten...
Veranstaltung anzeigen
“the opera derives a lot of charm and wit from physical theatre”
Rezensierte Veranstaltung: Guildhall School of Music & Drama: Silk Street Theatre, London, am 6 November 2023
Respighi, Maria egiziaca
Respighi, La bella dormente nel bosco
Dominic Wheeler, Musikalische Leitung
Alistair Burton, Assistant Conductor
Victoria Newlyn, Regie
Laura Jane Stanfield, Bühnenbild, Kostüme
Jake Wiltshire, Licht
Guildhall Symphony Orchestra
Laurie Slavin, Assistant Director
Vladyslava Ionascu-Yakovenko, Maria, The spindle
Emyr Lloyd Jones, Abbate Zosimo / Pilgrim
Steven van der Linden, Sailor, The jester
Jonah Halton, The leper, The prince
Rachel Roper, Second companion, Blind woman, Poor man, The queen
Yolisa Ngwexana, First companion, Voice of an angel, The blue fairy
Joe Chalmers, The king, The ambassador, A woodcutter
Ana-Carmen Balestra, The princess
Holly Brown, The green fairy
Shana Moron-Caravel, The cuckoo, The little old lady, The duchess
Julia Sanchez Merino, The cat
Biqing Zhang, The nightingale
Respighi’s Lucrezia compels in Guildhall School’s double bill
****1
Holst and Weir operas from the Guildhall School of Music
***11
Dead Man Walking given a triumphant staging by Guildhall School
****1
Picture perfect: a fine triple bill from the Guildhall School
****1
Pauline Viardot's Cendrillon outshines Bizet at Guildhall School
***11
Britten's Dream haunts Guildhall School
****1
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