Bachtrack logo
Termine
Alle VeranstaltungenKonzerteOperTanzKinderMeisterkurseWettbewerbeFestspiele
Kritiken
Alle KritikenKonzertkritikenOpernkritikenTanzkritiken
Artikel
Alle ArtikelReportagenInterviewsKommentarPlaylist
Neuigkeiten
Video
Video homeAlle VideosStreamsKonzerteOperTanzKinderMeisterkurseHerausgeber
Seite
Über unsKontaktVerlinkenNutzungsbedingungenCookiesDatenschutz
Young artists
Reise
TermineKritikenArtikelVideo

SFB’s Unbound Festival promises and delivers in Program B

San Francisco Ballet in Thatcher's Otherness
© Erik Tomasson
San Francisco Ballet in Marston's Snowblind
© Erik Tomasson
San Francisco Ballet in Dawson's Anima Animus
© Erik Tomasson
Von Terez Rose, 23 April 2018
Laden, bitte warten...
Veranstaltung anzeigen
Rezensierte Veranstaltung: War Memorial Opera House, San Francisco, am 21 April 2018
Programm
Otherness (Myles Thatcher)
Snowblind (Cathy Marston)
Anima Animus (David Dawson)
Darsteller
San Francisco Ballet
Max Cauthorn, Tanz
Sean Orza, Tanz
Mathilde Froustey, Tanz
Ulrik Birkkjaer, Tanz
Sofiane Sylve, Tanz
Maria Kochetkova, Tanz
Carlo Di Lanno, Tanz
Luke Ingham, Tanz
Henry Sidford, Tanz
Wei Wang, Tanz
Weitere Tanz Kritiken
The Royal Ballet in Perspectives: a diverse and challenging triple
Amanda Jennings, 14th November
The Royal Ballet presents a triple bill of diverse works including one world premiere and one UK premiere. As per usual, the supreme roster of dancers tackles each with aplomb.
****1
Northern Ballet’s Jane Eyre: worthy of repeated viewings
Graham Watts, 22nd May
A revival of Cathy Marston’s Jane Eyre marks another success in Northern Ballet’s strong tradition of narrative dance theatre.
****1
The Royal Ballet: Anemoi/The Cellist a well-balanced double bill
Graham Watts, 20th October
The first revival and first pairing of two award-winning choreographies proves to be a very rewarding double bill. 
****1
Trilogy: a brilliantly diverse triple bill
Ruth Ridgway, 16th June
Cathy Marston’s My Brilliant Career premieres in Brisbane within a diverse triple bill that shows off Queensland Ballet's versatility.
****1
Ballett Zürich: Cathy Marston's The Cellist brings love and despair
Maggie Foyer, 30th April
Cathy Marston is a choreographer who excels in narrative ballets but seldom in a literal sense. 
****1
An expressive showcase: Northern Ballet's Contemporary Cuts
Graham Watts, 11th June
Northern Ballet demonstrate a range of qualities in a rich mix of contemporary work.
***11
Weitere Kritiken...
Kritiken von
Anima AnimusCarlo Di LannoCathy MarstonDavid DawsonEzio BossoHenry SidfordLuke InghamMaria KochetkovaMathilde FrousteyMax CauthornMyles ThatcherSan Francisco BalletSean OrzaSofiane SylveUlrik BirkkjaerWei Wang
Verwandte Artikel
Loading image...
Auf der Suche nach einer neuen Balance in Wien: Alessandra Ferri
Loading image...
Warum wir klassisches Ballett noch immer brauchen: Darcey Bussell, Cynthia Harvey und Aaron S. Watkin im Gespräch
Loading image...
Der Alltag einer Ballerina: ein Interview mit Deborah Weiss
Vorhang auf für die Spielzeit 2018/19 an der Bayerischen Staatsoper
Mehr von Terez Rose
Loading image...
A timely new Eugene Onegin opens the San Francisco Ballet season
Loading image...
Scarlett’s Frankenstein returns to the San Francisco Ballet stage
Loading image...
A Manon premiere opens San Francisco Ballet’s 2025 season
Loading image...
Broken Wings soars in SF Ballet’s Dos Mujeres
Terez Rose
Terez Rose

Terez Rose is a writer and former dancer whose work has appeared in numerous journals, anthologies and online publications. She is the author (as Terez Mertes Rose) of the Ballet Theatre Chronicles (Off Balance, Outside the Limelight, Ballet Orphans, Other Stages) and A Dancer’s Guide to Africa. Visit her at The Classical Girl where she blogs about classical music and the performing arts.