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The Royal Ballet in Perspectives: a diverse and challenging triple bill

Fumi Kaneko with The Royal Ballet in George Balanchine's Serenade
© 2025 Tristram Kenton
The Royal Ballet in George Balanchine's Serenade
© 2025 Tristram Kenton
Matthew Ball and William Bracewell in Cathy Marston's Against the Tide
© 2025 Tristram Kenton
William Bracewell and Matthew Ball in Cathy Marston's Against the Tide
© 2025 Tristram Kenton
The Royal Ballet in Justin Peck's Everywhere We Go
© 2025 Tristram Kenton
The Royal Ballet in Justin Peck's Everywhere We Go
© 2025 Tristram Kenton
Viola Pantuso in Justin Peck's Everywhere We Go
© 2025 Tristram Kenton
Laden, bitte warten...
Veranstaltung anzeigen
“fascinating that her swimmer against the tide is a man conflicted on two levels”
Rezensierte Veranstaltung: Royal Opera House, Covent Garden, London, am 14 November 2025
Serenade (George Balanchine)
Against the Tide (Cathy Marston)
Everywhere We Go (Justin Peck)
The Royal Ballet
Martin Georgiev, Musikalische Leitung
Chloe Lamford, Bühnenbild
Barbara Karinska, Kostüme
John B. Read, Licht
Covent Garden Orchester des Royal Opera House
Annemarie Woods, Bühnenbild
Fabiana Piccioli, Licht
Janie Taylor, Kostüme
Karl Jensen, Bühnenbild
Brandon Stirling Baker, Licht
Viel Vergangenheit: Liebeslieder am Wiener Staatsballett
****1
Bachmann, Mahler, Goecke: Tanztraumpremiere am Wiener Staatsballett
****1
Spitzengefühl und neoklassischer Ansatz
****1
Mira Nadon’s sparkling debut in Firebird with New York City Ballet
*****
Ballet for cowboys and soldiers at Kansas City Ballet
****1
American Ballet Theatre's double bill is short and sweet in New York
****1
Weitere Kritiken...
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Höchster Glanz: der komplette Herbert von Karajan
Amanda Jennings